Thanos Sakellariou

In 1935, financially strapped widow Louisa Durrell, whose life has fallen apart, decides to move from England, with her four children (three sons, one daughter), to the island of Corfu, Greece. Once there, the family moves into a dilapidated old house that has no electricity and that is crumbling apart. But life on Corfu is cheap, it's an earthly paradise, and the Durrells proceed to forge their new existence, with all its challenges, adventures, and forming relationships.

Achilleas' wife, Flora, is disappointed by her marriage and remembers nostalgia for her childhood love, Alekos. Fate brings them so they eventually reunite illegally. Alekos's wife, however, Soso understands the illegal relationship and tries to avenge her husband for his infidelity. A series of incredible "crimes" unfolds with our heroes victims.

Amalia Parisi is a tax preparer, living in Chalkida. She is about to get married with Anestis, but when she meets his brother Nikolas, a new love is born.

Vasilis Vasilikou's important book is being dramatized for Mega. A story about young people and their dreams, which has a lot to say today. Five boys, friends among themselves, trapped in the dead ends of their generation, seek, each separately and all together, an escape from everyday life, a window into a dream. A girl appears in their lives and acts as a catalyst. She has a vision, she has faith, she has courage and she dares to dream. Their common path and their contradictions give a different meaning to their lives, although they often bring them to their limits. Together they decide to follow a vision that seems impossible to realize, but which they believe in. Because they need to believe in something important, in a great act, in a national idea. Following their vision, our heroes are involved in an adventure with a tragic ending and unexpected consequences for all of them...

A child escapes from Poland during World War II and first heads to Greece before coming of age in Canada.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?