Emilia Leytner

Vienna, Austria, 1912. The brilliant painter Oskar Kokoschka, considered one of the main representatives of the expressionist movement, has a tumultuous relationship, both professional and romantic, with the composer Alma Mahler.

Even Franz Gasperlmaier had never seen anything like this before. He's seen a lot of things, after all, Gasperlmaier has been a police officer in Altaussee for more than twenty years. But a stabbed man on a Monday morning in the festival tent at the Altaussee Kirtag is too much even for a seasoned man like him. And so he makes a wrong decision, not his last one that day, and the dead man sitting in his own blood in the festival tent won't be the only victim.

After the body of a young woman is recovered from Lake Mattsee, the two cops not only face a major professional challenge that takes them into the dark past, but also come into contact with Mattsee's dark history and reach their limits privately.

The film follows two days in the life of a former child star who rose to fame nearly 20 years ago in a major sci-fi blockbuster. Overwhelmed by media attention and school issues, he quit acting. Now, he's trying to redefine himself amidst hate comments, public recognition, journalists, and constant comparisons to a colleague from the film set.