Marc Ribera

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

After getting dumped by her long-term boyfriend and pregnant by a one-night stand, María’s meticulous life plan begins to slip into disarray – but her sister Esther and best friend Cristina are determined to see her through.

Manuela is a young woman who lives in a cabin where she studies the Andalusian wetlands. Her life revolves around watching birds. A few kilometres away, Alba lives completely neglected, a seven-year-old girl whose mother, Yolanda, works at night.

Described as fiction with autobiographical overtones, the series revolves around the real-life Spanish actresses and sisters, Joana Vilapuig and Mireia Vilapuig who, in a personal touch, found fame as teen actresses in “The Red Band Society.” A decade on, now 27 and 25, they are figuring out how to move their careers forward and trying to find their place in the film-tv industry and life, in a present which is far from certain.

Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.

A married woman discovers her husband is having an affair with a male prostitute and wants to meet the lover to get answers. However, her plans are interrupted when she gets a heart-stopping call from the hospital — her husband had a stroke and is lying unconscious. The wife and the lover — who fell in love with the husband — both rush to the hospital, and the remainder of the film highlights the dynamic of the two grappling with their situation as they both wait for the husband to recover in the ICU.

In 1942, the new Francoist bishop wants to regain control of the Pyrenean and Andorran territories, whose forests are occupied by Nazi soldiers and Republican maquis. Some of these have been found murdered after various violations. The bishop’s vicar and the village priest, Tomàs, have to investigate what is happening and what connection it has with the country’s ancient supernatural legends.