Natalia Maslova

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

Olga brings up two children from different marriages, cares about her alcoholic father and tries to adjust her personal life. The eldest daughter Anya is studying in a vocational school, she thinks that she is the only adequate member of the family, and in her life everything will be different. The younger son Timofey, whose father returned to the first family in Azerbaijan, believes that he is already a man, although he is only 11 years old. Olga's father, Yuri Gennadievich, a former football player, drinks hard and constantly lies, which often leads to scrape. And sister Lena is trying to live at the expense of men - mostly married. Eternally saving relatives from troubles, Olga lives a strange life and rarely thinks of herself until Grisha, a young and positive driver of the “Sable” hearse, falls in love with her.