Vera Maretskaya

The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.

Petty bourgeois Zhigalovs, whose daughter-in-law Dasha is being extradited, find out to their horror that the official Aplombov, who has been caring for Dasha all summer, has dined every day with them and has proved himself to be his bridegroom, is not going to marry at all.

A life-long story of a romantic school teacher who left imperial St. Petersburg for teaching country children. Driven by noble intentions to enlighten people and examples by 1880s revolutionary "People's Will" member teachers, a young woman spent her life in a village and evidenced the changes a Russian village has undergone from pre-revolutionary tsarist times to late 1940s.

Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary.

Based on the work of Nikolay Gogol. Handsome blacksmith Vakula who fell in love with village beauty, Oksana, is ready to do anything for her liking. Even to fly on the devil's back to Saint-Petersburg and ask the Empress for the slippers that he can present his sweetheart.

About a film studio director, who during the NEP years fights against the director of films designed for petty bourgeois tastes. Considered to be lost.

The film covers the events of 1896-1905 - from the first revolutionary gatherings to the armed Moscow uprising of workers at Krasnaya Presnya, later called Bloody Sunday. St. Petersburg students Alexander Mikhailov and Yevgeny Svetlov and a peasant girl Varvara Postnikova arrive in Moscow and follow the complicated path of underground revolutionaries.

A chemist by training, Alexandr Bochkin manages a Moscow dry-cleaning operation, but lives a very comfortable life, taking orders on the side for his speculative "private enterprise," run in conjunction with "Queen Margot". But when his old friend from the chemical institute, Yuri Lebedev arrives in Moscow from the Siberian city of Dalnegorsk, along with a traveling companion, Olga, Bochkin becomes uncomfortable with his job title.

The Great Patriotic War is over, but Major Sorokin and Colonel Dobrygin still have a lot to do for their homeland. They must go to West Germany in order to find and return the children who were taken out of the Soviet Union by the Nazis and are now kept in atrocious conditions under the supervision of British intelligence. Former allies want to grow real spies out of their children.

In the 1930s, during Collectivization, we follow Alexandra Sokolova, who having joined a kolkhoz, is promoted by the Party to the management of the farm: she becomes chairman of the kolkhoz, courageously coping with the difficulties of collectivization, the distrust of some fellow villagers, and family conflict.

The vain station master of a Russian train station out in the sticks has a quarrel with an old peasant woman and has her thrown in jail. The local party youth organisation finally manage to get her released, after having to cut through lots of red tape.

A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution.

This is a film from the series of so-called "defense" films, which presents a hypothetical "scenario" of a future war. The crew of test pilot Sergei Novikov makes a long non-stop flight on an airplane of a new design. Novikov's son, Yurka, a passionate inventor, manages to contact his father using a transmitter he designed himself. Just before landing Novikov felt bad - an old leg wound, received during the Civil War, had opened. But still the pilot managed to land the plane on the airfield of the aircraft factory. After an editorial article in the newspaper Pravda, the movie was removed from the screens.

"Paris Commune," 1870-1871. Poor working class in Paris rises up against their oppressors as France is defeated by Germany in the 1870-71 Franco-Prussian war.

Fabrikant, Ilya Artamonov of the former serfs. His desire to strengthen and develop the business knows no obstacles. He is still associated with the peasants and craftsmen, but with his death, this relationship ends. Between Peter Artamonov, his son, who became the owner of the factory, and the workers grows a wall of enmity. The first political speeches are brewing. On the side of the proletariat becomes the heir artemovskogo case Ilya Artamonov, Jr.

Agronomist Valya Chernysheva fell in love with the new chief agronomist of the MTS Savitsky, a widower with two small daughters. During the illness of one of the daughters, whom Valya was nursing, he realized that she had become a close person for him. But the girl left to work in another distant collective farm.

The main protagonists of the film are Katya (Varvara Popova), the daughter of a factory worker and Andrey (Ivan Koval-Samborsky), the son of the former owner of the factory who illegally returns to the USSR to find treasures hidden by his father. The film title refers to the Communist party's appeal, after Lenin's death, to enlarge its membership.

A 1925 Soviet comedy sponsored by the Soviet Finance Ministry, with a plot promoting the new economy. A small-town tailor, Petya Petelkin (Ilyinsky), bought a lottery ticket and handed it to his landlord, widow Shirinkina (Deykun) who wants to marry him. Petya is a hard-working tailor trying to start his own business. He is also in love with Katya (Maretskaya), whom he wants to marry. He has to survive a cascade of funny situations in the unstable Soviet reality, before his romance with Katya comes to a happy ending.

Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.

At the heart of the plot - the erroneous message about the death of Varvara Antonovna gathers around her son, daughter-in-law and grandson. They feel a sense of deep guilt, so carelessly treating a loved one for a number of years