Simon Watkins

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

Shine on Harvey Moon! is a British comedy-drama series made by Central Television for ITV from 8 January 1982 to 23 August 1985 and briefly revived in 1995 by Meridian. This generally light-hearted series was created by comedy writers Laurence Marks and Maurice Gran. The series is set in the East End of London shortly after the Second World War. Upon being demobbed RAF serviceman Harvey Moon, played by Kenneth Cranham, returns home and finds his family involved in various troubles. His wife Rita, played by Maggie Steed, is not interested in resuming their relationship, and works in a seedy nightclub frequented by American servicemen. He becomes involved with the Labour Party and the union movement. The name of the series is a wordplay on the title of the popular 1908 song 'Shine On, Harvest Moon'. The first series was commissioned and recorded by ATV at their Elstree studios with the remaining series filmed at newly constructed facilities in Nottingham.

Spirited dialogue, posh Roaring '20s style, and devious mysteries abound as Tommy and Tuppence Beresford mix marriage and mystery solving.

Reilly, Ace of Spies is a 1983 television miniseries dramatising the life of Sidney Reilly, a Russian Jew who became one of the greatest spies ever to work for the British. Among his exploits, in the early 20th-century, were the infiltration of the German General Staff in 1917 and a near-overthrow of the Bolsheviks in 1918. His reputation with women was as legendary as his genius for espionage.

An orphan endures a harsh life in a workhouse before fleeing to London, where he falls in with a gang of juvenile pickpockets led by the criminal Fagin, and eventually finds a better life, exposing the cruelties of poverty and child labor in Victorian England.

After a chance meeting and an indiscreet conversation, childhood friends Tommy Beresford and Tuppence Cowley become involved in a convoluted intrigue led by a mysterious man known simply as Mr. Brown.

Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in.