Toni Agustí

Diego, an Argentine doctor traumatized by the soccer since his childhood, is not satisfied with his life. Javi is a representative of kids who start playing soccer, a Spanish third division manager who dreams of an opportunity to change their fate. Suddenly, the discovery of a young Argentinian star, will join Diego and Javi in a common adventure, full of surprises and and picaresque.

The Last Supper is a cinematographic experiment carried out in a single day by a group of technicians and actors who come together to shoot a dinner with friends in real time.

Manuela de Fora, an elegant woman, widow of Pajares, lives with the sole obsession of marrying well her two daughters from her second marriage, Concha Blanca Jara and Amparo. She also has Juanito, son from her first marriage, but she despises him for wanting to be a merchant, like his father. Who really appreciates the laborious Juanito is his uncle Juan, a man of austere habits that blames his sister Manuela for wasting money to pretend being of high social position.

Five years after shooting "The Last Supper," an experimental feature film with no budget, a group of film technicians and artists gather to celebrate the film's unexpected success and decide what to do with the profits generated in theaters and digital platforms.

Mara visits an old friend who lives in the Sierra de Irta, Vera, who did not expect this visit, is about to go to Valencia to spend the Easter holidays. When Vera leaves, Mara makes a strange and irrational decision: to occupy her friend's house for a few days.

Oblivious to the strife that awaits them, a group of young nurses from Spain's upper class head to war-torn Marocco in 1921 to help where help is needed. Many lessons in love and life are learned before they overcome deepest conflicts, grow as human beings and find out what they really want from life and whom they truly love.