Antonio Miano

Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

A sweet couple invite a third person over for the night, who brings a lustful energy to spice things up.

Ayô is a young, gay, Black actor from Bahia, living in São Paulo, and dissatisfied with his love life. After some emotional disagreements with Manu, Ayô turns to dating apps, where he meets João, with whom he forms an instant connection. Professionally, Ayô also finds himself reflecting after Carla, his agent, makes him realize the harsh reality of being a Black artist in an inherently racist society.

Francisca and Carlos struggle to adapt to their new reality after the suicide of their only son, Felipe. Immersed in fantasies, fears and melancholy, the couple go through radical experiences. Carlos moves into Felipe's old apartment, alienating himself in the world of his dead son. Francisca, haunted by guilt, dedicates herself to unraveling the enigma of suicide.

Antonio must work with his gang to take down Ross Weaving before making their way to taking down the Director of the CIA after putting Rocky in a precarious situation.

​From a swimming pool in Brazil to the back seat of a car in Germany via an apartment in the early hours of the morning where three men dance to the beat of wild passions, here are four stories about the marks that can be left when skin touches skin. Even in brightness, some shadows will always linger. The 4 short films are: Offline [Desconexo] (2020); Hedon (2019); Adán & Esteban (2022); Private Photos [Fotos Privadas] (2020).

A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.