Tomasz Tworkowski

The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young aristocrat, charming and charismatic. His degenerate behavior has an animal intensity. Victor, though leading the life of libertine, remains to one side. He is a man of a refined taste despite his low birth and buys his noble title thanks to his gambling skills. Victor and Rudolf have been inseparable friends for years. Then two young, beautiful and innocent people - a brother and sister - enter their life...

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

The Master and Margarita (Mistrz i Małgorzata) is a four-part Polish television production based on the novel by Mikhail Bulgakov.

One of the most important action series created during the transition period. It brilliantly and credibly portrays the realities of the 1990s and the work of police officers in a new reality, one in which entirely new criminal groups emerged – drug dealers and warring gangs.

God's Lining presents the dramatic fate of Marianna Jurewiczówna, her family, and the inhabitants of the Vilnius region from 1900 to 1945. The series begins in 1900, when Marianna, the youngest child of Maria and Andrzej Jurewicz, is born. Through Maryśka's eyes, we meet a succession of characters passing through the manor: the order-takers (Bartłomiej), the slackers (e.g., Mickiewicz), the peasant farmhands (e.g., Antośka), the servants (e.g., Walunia), and various misfits, rejected and ridiculed (e.g., the foolish Maryla), just like the main character. Marianna Jurewiczówna is called "niedonosek" by her family because of her premature birth; she feels unloved and rejected, misunderstood, and different. The series concludes in 1945, during the so-called first repatriation.

Series set behind the scenes of a Warsaw theater during the last twenty-five years of the 20th century. The creators’ ambition was to explore the interplay between life and art, and how these realms intertwine in the lives of the characters. Each episode features its own protagonist and its own play, usually set within a broader social, political, and cultural context.