Fiorella Faltoyano

A married couple are temped by passions around them.

Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

A boy lives with the last man his mother loved before she died, but a well-matched couple wants to stay with him and adopt him as their son due to their problems conceiving. Although the situation for the orphan is not the best after his mother died, little by little he will find happiness and overcome it in a water park. There he will become a great inseparable friend of the dolphins.

Avila, early twentieth century. Pedro, a boy of nine years, accompanied by his tutor, comes to live in the house of Don Mateo, a teacher that from that moment will be responsible for his education. Pedro begins an almost familiar relationship with Doña Gregoria and Martina, wife and daughter of his master. The appearance of Alfredo, and roommate and colleague of studies, complete the circle of his emotional environment. Provincial life, relationships with peers and the special relationship between life and death instilled by Don Mateo, definitely will influence his future life.

Madrid, Spain, 1975; shortly after the end of the Franco dictatorship. Six months after the mysterious death of his lover, a prestigious tailor, a married woman visits the office of the young Germán Areta, a former police officer turned private detective, to request his professional services.

Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

Jose, a journalist and radio broadcaster, runs a daily program which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.

In every attempt at subversion, there are two moments: the one just before, when everyone doubts and no one knows how to hide fear, and the one just after, when all that remains is to run and find a safe place, maybe in memory.

In order to access a more important position in the company, Don José, a wealthy bachelor, must get rid of his lover. To try to achieve this, he must get her romantically entangled with his friend Vicente.

A group of nuns find an abandoned baby girl at the doorstep of their convent.

A good looking Iberian macho courts a free spirited young woman. The passionate temperament of her romantic beau might become too much for her to handle; or can she control it?

Andres de Granada, a forty-benefit trade more clear, believed that the first months of 1993 are the best time to do business. It also has the help of his nephew Fulgencio, who has arrived in Madrid with the idea of ​​learning the trade.

Amós is a sailor and owner of a ship. He is impatient with the arrival of his uncle who returns from the Soviet Union, after having exiled there after the Civil War. They have no time to meet because the old man unexpectedly dies. Amos knows, thanks to the letters his mother received, that his uncle had a treasure. However, this one is not among the objects that were in the old man's room.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

The film tells in a funny way the ups and downs of a widower who would like to marry again. But his choice to take a young woman as the bride does not conform with what his three daughters want as stepmother. Naturally this will cause all kinds of irritation and problems

In 1938, at the height of the civil war, the musicians of the military band were very worried about their next concert. Agustín receives a letter from his girlfriend, who tells him about the difficulties he is going through with the rice harvest. She then decides to ask permission to go and help her, but as Lieutenant Urquiza refuses, she escapes. Two companions sent to bring him back, finally, stay with him. Also Sergeant Perez and several musicians who go looking for him stay with them.

A nun teacher that is going to die decides to travel around Spain to meet her 3 favorite students to ask if she learned something from her teaching period.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

With her intuition and instinct, Laura Lebrel del Bosque, an innocent and intelligent police inspector with very original methods, naturally solves impossible crimes, dismantles alibis, and figures out who the murderer in every episode is. Meanwhile, her marriage with inspector Jacobo is not going through its best phase, she has to deal with her duties as a housewife and a mother of two very naughty five-year-old twins, and her workmate Martín cannot help getting into trouble.

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

Tales of terror by established authors such as Ray Bradbury or Edgar Allan Poe, as well as original scripts.

Set in early 18th-century Madrid, the plot follows the love story between an agoraphobic cook and a widowed nobleman.

As the life of Charles of Habsburg is told since his arrival to Spain, it can be seen how the heir to the crowns of Germany, Burgundy, the Netherlands, the Free County, Artois, Nevers and Rethel, of the territories of the Crown of Aragon and its related Italian territories, and of the territories of the Catholic Monarchs in Castile, North Africa and the Americas, matures as a statesman and gets stronger in face of menaces around him and good and bad advice from his counselors.

Two friends raised together as brothers, share a flat despite having opposite personalities.

Television adaptation of the literary classic by Alexandre Dumas. After being unjustly arrested and convicted of treason, Edmundo Dantés manages to escape from the Château d'If prison after 14 years of captivity. During his stay in this place, another prisoner of Italian origin, Abbe Faria, entrusted him with the secret of a treasure. When Edmundo manages to find it and dig it up, he decides to start a revenge against those who ruined his life, for which he assumes the identity of the powerful Count of Monte Cristo.

Rafael Müller is an acclaimed conductor; Rafael Jiménez is an old rock glory who refuses to hang his ax. Both will fight to continue fitting in a fast and young world that insists on taking them out of the game.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores’s life unbearable and inevitably tragic.