Tiziana Lodato

In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.

In 1950s Sicily, con artist Joe Moretti does screen tests for the big studios, accepting money or favours for his efforts. A young illiterate novitiate named Beata desperately wants to change her life and falls for him; belatedly, he realizes his feelings for her. However, their love affair is doomed when he's arrested.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

A Sicilian family deals with the arrival of a group of immigrants on their island.

Valentino and Salvo, unemployed and in search of fortune and recommendation, leave Palermo for Valentino’s home town, Monteforte, where they will try to survive the Italian crisis by opening some sort of hospice.

In the '70s, young Màrja leads a hippie lifestyle in Finland. During a peace march, she meets Fortunato, a young Sicilian, and falls in love with him. They marry and start a family, happily raising two daughters. However, times become hard and Fortunato suggests they move to his old town, where he can find work easily. Màrja accepts, but she'll have to clash with a close-minded and malicious environment as a foreigner in Southern Italy.

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

The three days power vacuum in a Sicilian village shortly after the American landing in Sicily in July 1943.

Ettore, a young boy in Sicily in the 50's, is surrounded by women and is always surprised by what is happening around him. In Milan a few years later Ettore is once again the center of attention and the hip crowd.

1965, a train with a variety of passengers is heading north when it makes an unexpected stop. On the other track, heading south, a train passes with the same passengers 20 years later.

1950s. Gege (Giuseppe Cristofaro) is a delicate child who lives in a hard world that does not accept it. He thus takes refuge in the dream to escape the many small daily harassment. His desire would be to become an airplane pilot and for this the notes of "Volare" by Domenico Modugno accompany his days.

While looking for new tenants for his seaside villa, surrounded by a big garden, Andrea Ricoli, a 50-years old architect, meets Rossana, a newly 40-years old, anaesthesiologist at the local hospital, and married to Riccardo, ten years younger than her: he's an aspiring writer, temporarily employed as a salesman at a local shoe store. During an eventful New Year's Eve, Andrea introduces Riccardo to a Maghreb restaurant owner - who is interested in restoring an attic apartment - and his lovely sister Hikma. Months go by. Andrea discovers that Hikma is pregnant with Riccardo's child, while she's struggling with her old-fashioned, fundamentalist brother's mentality. He offers to help the couple and let them stay with him in his villa. Teaching him how to care for his garden, the young Hikma reminds Andrea of his wife Sofia, who passed away right there four years earlier, in unclear circumstances...

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

In October 1958, the Sicilian newspaper L’ORA coins the term “MAFIA” for the very first time to denounce the endemic organized crime in the region. Shortly thereafter, a bomb detonates in front of the editorial offices; only two days later the daily reappears with the headline: ‘The Mafia may threaten us, our investigation continues.’ Inspired by true events, L’ORA takes place in Palermo of the late 50 ́s and early 1960s. Newly minted Editor-in-Chief with his group of fearless journalists focus their investigation on organized crime and its reach into every corner of church and society.