Ezgi Ay

Samet, who works as a bouncer in a bar, left home after his father abandoned the family years ago. His mother started living with his brother Emre. After a long time, Samet returns home and tells his brother Emre that he has found their father’s whereabouts and suggests they go together to where their father lives. The two brothers embark on a journey to Konya to confront their past. The other protagonist of the story, Ayşe, leads an ordinary life with her banker husband and seven-year-old daughter Ceren. When her daughter starts school, her encounter with the school’s security guard changes their lives. A secret relationship begins between the two. While Ayşe continues this relationship without fear of being caught, things eventually change. The paths of the two protagonists, Samet and Ayşe, will intersect in an unexpected way.

Nebahat, a teacher in her 20s, has just been appointed to a rural village school in Anatolia. She realizes that her students are struggling to arrive at school, hitchhiking tractors, using whatever means they can find. She asks the Ministry of Education for a shuttle, but without a driver, the vehicle is useless. So, she decides to be the bus driver for her students but there is a small problem.

An art department assistant desperately tries to make the director happy on a challenging day at the set of an Ottoman soap opera.

A young midwife arrives in an Anatolian village. She goes to her first birth; she tries not to show it, but she is very excited. To save time, she performs a series of checks, referring to the stages of birth in her book... At one point, her gaze falls on the woman's crotch. The baby's head is coming out. After a "successful" first birth, the young midwife's "modern" equipment becomes famous throughout the village. The village’s elderly midwife is annoyed by the presence of this young, city-dwelling midwife and a feud develops between them, until she discovers the secret of an underdeveloped child.

Yılmaz and İlkkan are two friends who are constantly fighting each other. Their biggest feature is always being able to do things that will turn their ordinary lives upside down. They magnify small events incredibly and give you a nervous breakdown. They are the embodiment of the misfortunes, strange events and despair we experience every day.

Showcasing Turkey of the 1960s, while it follows a film producer who will tell the story of survival in Yesilcam as he experiences the golden age of Turkish cinema.