Ye Jing

Chinese sitcom set in a residential neighborhood in Beijing, centered on Ma Xiao Yan, a middle aged woman known as Sister Ma, her relatives and friends.

Based on the popular novel by Jin Yong Kam Yung. He also wrote Legend of the Condor Heroes and Return of the Condor Heroes. The Heavenly Sword and Dragon Sabre takes place during 14th Century China during the Mongolian Yuan Dynasty, roughly 100 years after the events of Return of the Condor Heroes. After decades of struggles, famine, and bitterness which the Chinese citizens blamed on the Yuan Dynasty's misgovernment, the Martial Arts sects have begun to rebel. Prince Ruyong asks Cheng Kun, a Shaolin monk with an ulterior motive, for a plan on how to deal with the rebels. "The wielder of Heavenly Sword and/or Dragon Sabre rules the world." This well known legend in the Martial Arts community is the impetus for the tale of Zhang Wuji. The story begins with how his parents met (episodes 1-3), then tells his trials as an adolescent (episodes 4-8), proceeds to relate his rise to prominence (episodes 9-23) and reveals the secret behind Heavenly Sword and Dragon Sabre (episode 23), and ends with the confluence of Wuji's love life, the Martial Arts sects' long standing grudges, and cruel fate.

During the Chinese Cultural Revolution, a group of students whose lives is changed by political chaos. As they navigate violence, love, and rebellion, they are marked by the scars of their turbulent youth.

Zhang Cuishan of the Wudang Sect was despised by the decent sect of the world because of his love for Yin Susu, the daughter of the cult hall master Baimeiying. Fortunately, Zhang Sanfeng, the head of the Wudang Sect, understood the righteousness and accepted them and his son Zhang Wuji (played by Ma Jingtao). However, the so-called upright sect does not stop. On this day, the Wudang sect gathered together and asked Zhang Cuishan to tell the whereabouts of the golden lion king Xie Xun, who had betrayed his brothers and cult. Zhang Cuishan was chivalrous and refused to betray his brothers. In front of the six major factions. In this way, Zhang Wuji became an orphan.

Palace of Desire, also known as Da Ming Gong Ci, is a Chinese television series based on the life story of Princess Taiping, a daughter of China's only female emperor Wu Zetian. Directed by Li Shaohong and Zeng Nianping, the series starred Chen Hong, Zhou Xun, Gui Yalei and Winston Chao in the leading roles. It was first broadcast on CCTV-8 in mainland China on March 30, 2000.

Xiao Cao is a young orphan living with her cruel aunt and uncle. She has a sisterly bond with her neighbour, Qing Qing, who is being forced into a marriage with a much older man by her older brother. Desperate to escape their unfortunate circumstances, the two girls manage to run away together on the day of Qing Qing's wedding. During their escape they coincidentally meet He Shiwei, a young university student who is also running away from his family due to an arranged marriage. After a few initial misunderstandings the three decide to travel together. However, things become complicated when they encounter the Fu family, and the family matriarch mistakes He Shiwei for her son, Fu Yuankai, who died 10 years ago.

A heterosexual Beijing policeman and a young homosexual challenge each other's sexuality.

Follows the story of a television host who's hidden so much personal and secret information on his phone, that when it gets out, catastrophe strikes.

After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.