Rudolf Papežík

The television adventure film, based on Verne's novel of the same name, Twenty Thousand Leagues Under the Sea, tells the adventures of three shipwrecked prisoners aboard the legendary submarine Nautilus.

In a chateau near Prague there is a chantry and brothel Riviera, designed for the clientele from the higher circles. Mrs. Gábi Stolařová, called Madame, keeps a close eye on order, but otherwise she runs the place in a family spirit and makes sure that the customers are satisfied. A new employee, the beautiful Renata, disrupts the order of things and immediately draws the attention of all the guests to herself. But beneath her angelically innocent exterior, she hides a fierce ambition and a coldly calculating brain, which, to her own detriment...

Dramatic fates of people hidden behind a theatrical mask.

A fairy tale of three brothers who try to save a princess kidnapped by an evil wizard.

A film about various forms of drugs – American cinema, rock music, and heroin. Together with the protagonist, we experience the bohemian life of young filmmakers, shocking erotic experiences, and the first drastic attempts with drugs. From the initial cool experiment with drugs, we then go through hell and purgatory. A good friend can help with the return, but so can the will to start over, to forgive those who (perhaps) wronged him, to realize that I am mainly to blame for everything...

Švand, a room painter from Strakonice, begins a dizzying career as a pop music star, but he soon discovers that fame is not the most important thing in life or what he is looking for and what he longs for in life.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.