Mick Szal

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

A drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief.

A tough, brilliant senior resident guides an idealistic young doctor through his first day, pulling back the curtain on what really happens, both good and bad, in modern-day medicine.

A coming-of-age comedy set in the "go-go" 80s that is equal parts hijinks and heartfelt about a college student enjoying a last hurrah before summer comes to an end--and the future begins. David Myers, an assistant tennis pro at the Red Oaks Country Club in suburban New Jersey in 1985, is both reeling from his father's heart attack and conflicted about what major to declare in the fall. While there, he meets a colorful cast of misfit co-workers and wealthy club members including an alluring art student named Skye and her corporate raider father Getty.

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

Montana cattle rancher John Alexander is a strong-minded individual and a man of few words. Because he’s land-rich but cash-poor, he grudgingly accepts an offer from a production company to use his land as a film location. Though it’s good money, the tough rancher doesn’t trust that the Hollywood film crew will treat his land with the respect it deserves. Alexander holds onto a deeply traditional vision of his world just as the film’s director, a creative urbanite named Fabian, maintains his own vision for his film. Both men are hoping for the best: Alexander wants to save his ranch, and Fabian wants to be catapulted to the next 'it' filmmaker.