Alicja Migulanka

A family saga of Barbara Ostrzeńska-Niechcic and Bogumił Niechcic against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one.

Retired Sypniewski stands before a bizarre task - he must drown kittens.

Wiktor Wiarecki is an unsuccessful writer. He is also not successful in his personal life: Wiktor's marriage is in crisis, and his adult son wants nothing to do with his father. The turning point is the death of his friend Wiarecki, an outstanding writer Stefan Przewłocki. A literary widow gives Wiktor the materials for the deceased's last novel.

Two old friends meet at a mountain shelter and recall their university years. Midroń and Świdrycki are mature, intelligent men, experiencing a crisis of faith in the meaning of life, in their abilities, as well as fear of death. The next day, their wives join them. Although they have not had the opportunity to get to know each other so far, they become friends very quickly.

As high school students put on a politically-engaged school play, tensions begin to rise between them and their headmaster. The conflict seems to mirror the social situation in the 1980s Poland.

The story of the residents of a tenement house on Złota Street in Warsaw from 1945 to 1980.

Doctor Ewa Lipska, an attractive young woman just after graduation, with interesting professional prospects for the future, chooses the job of a village doctor. Brought up in a big city, she settles in the small town of Międzybórz in the Łódź Province. She is forced not only to overcome the daily difficulties resulting from medical practice in a rural health center, but also to learn to talk to people of a different mentality and gain the trust of her patients.