Ľudmila Swanová

Lukáš, Alžbetka's son, takes off into the world looking for happiness and love. His godmother, the celestial Lady Winter, keeps an eye on him. He arrives late in the fairy-tale land that she leads him to. Fear reigns where once cakes grew on trees. The miraculous ram has disappeared and the royal town is cursed. Lukáš has to decide what is closer to his heart: a fortune or love?

Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.

Romantic comedy takes place during a wedding day of a bride-to-be Alex, whose big day keeps falling apart. Her neurotic mother controls every step she makes, her step father investigates a non-existing crime and her biological father, a bohemian owner of the hotel where the wedding takes place, is responsible for a missing groom. Chaos in the hotel suits the charming ski instructor Peter who convinces an introverted hotel guest Klara to help him create the most beautiful dinner date ever.

A television film, an adaptation of Vladimír Mináč's first novel. The dramatic story of two brothers during the Slovak National Uprising provides artistic testimony to authentic events from the Slovak mountains in 1944.

During an unsuccessful burglary attempt, Jaroslav accidentally kills his old neighbour. His wife, Dana, concocts a plan to make the murder seem like an accident. Another neighbour stands in the way, however, whom they also have to eliminate. Dana convinces Jaroslav to help her. They attempt to use this incident to solve some of their financial problems. With the vision of easy money, the Stodolas start killing elderly people. Initially, they proceed to cover up the murders as accidents or suicide and the police do not do much to prove it otherwise.

This two-part production follows the lives of three generations of women from the Jablonczay family at the turn of the 19th and 20th centuries. The first part begins in 1882 and focuses on the two older generations. The eldest, Maria (Emília Vášáryová), lives in a dead relationship with her husband Kálmán (Milan Kněžko). She is the mother of a son and three daughters, each of whom tries to cope with her despotic nature in different ways. In the second part, the youngest, third generation of characters enters the scene. Lenka (Zuzana Vačková) is first educated in a convent with the kind approach of the mother superior (Magda Vášáryová) and slowly gets to know the real world outside the convent and her strict family environment. The play is based on the novel by Hungarian prose writer Magda Szabó, originally titled "An Old-Fashioned Story," in which the author describes the family life of her own ancestors.

In a kingdom protected by a magical legacy, young healer Hana is destined to inherit her mother Zora’s powers through a single mystical apple. Drawn to the human world, she encounters Prince Albert, who roams the land in disguise. Captivated, Hana abandons her fate and follows him to the castle. Meanwhile, the vengeful witch Moriana returns, seeking retribution for a past defeat by Zora. To fulfill her dark ambitions, Moriana schemes to manipulate her daughter Dáhlia, sparking a dangerous conflict that endangers the kingdom’s future.

Many films have received almost no audience response at the time of their release in cinemas - this one is one of them. The story of a sick writer who returns to his native region to gain new physical and mental strength, however, did not impress, it is too artificial, with dialogues and plots rustling paper. It lacks both a believable depiction of the main character's mood and adequate realization certainty, the hero's silent discussions with the personified Inspiration sound cumbersome.

Three forty-year-olds friends, hockey player and football players, decide to end their sports careers at the same time. All three find themselves at the beginning of a new life and must choose the path they will take.