Josef Vondráček

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

A group of outcasts, including a vagabond and a prostitute, gather at the outskirts of the industrial area of a large Czech city, one of the things that helps some of them survive is alcohol.

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

The little mermaid rescues a prince from drowning and falls in love with him. To be with him, she makes a deal with the evil sorceress: her beautiful voice against a life on land.

Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

A young Czech boy is freed from a concentration camp and now is working for the army against the Germans.

Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

It doesn't help to have an exacerbated situation like a family losing their only son - killed in a motorcycle accident. His parents, however, don't know the girl who survived, now being treated at a local hospital. Especially the honest and principled father, presented as a model worker and responsible official, cannot come to terms with her superficiality and carelessness, with her dubious life values...

Mr. Benda, a married father of two children, works for a company that liquidates old banknotes. After one drunken party, he is visited by a painter who tattooed his back in drunkenness the previous night. The image tattooed on Benda’s back is considered the painter’s best work by the professionals.

A Czech psychological film about the school of life, its sorrows and beauties. The main character is a young aspiring nurse Marie Sahulová, who, after a trouble in the hospital - she secretly brought a boy to her boarding school - is transferred to a rural health centre, where together with an old doctor and a peculiar nurse she has to travel around twenty-five villages and a number of solitudes in the harsh environment of the neglected villages of the 1950s. The nurse, a wise and experienced woman whom no one calls anything other than "babi", becomes her guide, who introduces her to the practice and the pitfalls of private life in a distinctive way. In the mosaic of everyday worries and more or less serious medical interventions, Marie matures and finds the meaning of her work and life.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

The merging of reality with legend, the image of reality (Ruthenian Verkhovyna in the 1920s) and its reflection in people's minds - this is what characterizes the story of the modern Transcarpathian bandit Nikola Šuhaj, who "took from the rich and gave to the poor". Ivan Olbracht's novel from the 1930s, one of the artistic peaks of modern Czech prose, is a dramatic story about a war deserter, his love for the beautiful Eržica, a story about revenge for wrongs, persecution, betrayal and death. Šuhaj's fate merged with legends in people's memory. By combining elements of the past and the present, document and myth, the story turned into a ballad about how eternal and strong the human dream of freedom and happiness is.

It’s a hot holiday season in the city and Alena is pretty much left to her own little self, fantasizing and running her personal daily rituals, keeping most people at a safe distance, yet trying to get male attention.

Leo Popper is a happy family man living in rural Bohemia in the years preceding the Nazi invasion. Out of economic necessity he moves with his family to the big city and becomes an enterprising vacuum cleaner salesman. There he embarks on a series of adulterous adventures, has encounters with boxing pros and famous portrait artists, and schemes to purchase the perfect pond to fulfill his passion for fishing. When the Nazis gain control, the comedy turns sour - he loses his lake, his job, and finally, his family.

Funny banter about love, sex, social status, and other ideals, while a new railway employee is trained and sent on his first run as driver.

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

A worker steals bits and pieces of building materials from work to construct a new home for himself and his girlfriend. When he discovers that she’s having an affair with his boss, he devises one elaborate plot after another to murder the rival, each time with pathetic results.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.