Sebastián Arzeno

Andrea, in search of her biological family, feels stalked by an invisible threat. Other women before them have suffered the same fate. Twenty years earlier, on the other side of the world, Camille, fascinated by Marie, tries to warn her of a threat hanging over her.

In a bid to save her son's end-of-school camping trip, a single mom steps in as the bus driver while trying to show him she really can be a cool mom.

David Samaras, "el Griego", is the general producer of the popular talk show "Hoy se arregla el mundo", where supposedly ordinary people resolve relationship, couple, friendship, work, parent and child conflicts. The most enduring bond in his life is Benito, his 9-year-old son, the fruit of a casual relationship. The story changes completely when he learns that Benito is not his son. The search for the real dad will lead them to a crossroads much bigger than the one they set out to face.

A writer who pins hopes on a free-spirited 25-year-old he meets in Montevideo to get through his midlife crisis. But his day turns out to be the most unexpected and transformative day of his life.

A successful transgender actress decided to adopt a child with her lawyer husband . She juggles her career, marriage, and the adoption in pursuit of domestic happiness, all while trying to embrace her flaws and contradictions and also claim and defend her right to ambition, desire, and security. But that pursuit is eventually thwarted when they visit the actress's hometown.

Érica struggles to build a new life with her young daughter, Flor, but everything is threatened when Pedro, her ex-partner and Flor's father, is released from prison after three years. At first, everything seems fine, but the fragility is shattered when Pedro can't control his dark impulses, unleashing a family turmoil.

An ambitious Colombian actress living in Buenos Aires juggles a day job with theater rehearsals and casting calls as she struggles to fulfill her dreams. An opportunity arises when she meets Lalo, a successful producer that shows her a glimpse into another life and she is suddenly willing to give up everything she has for a chance at success.

An aging slacker finds his comfortable status quo and family dynamic disrupted when his ex-wife and her current partner decide to move from Argentina to Paraguay and take his children with them.

Emma (16) and her father (48) live in a small house at the river on Delta del Tigre, Buenos Aires. Emma is rehearsing a Shakespeare play at school and she dreams to visit London. One day the unexpected happen, her teacher gets an exchange scholarship for her to travel to England. The idea of ​​being apart destroy Marcos and Emma who will have to understand another possible way of loving.

Estela and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Estela's father has inherited from her.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

Moria Casán transforms her life story into a symbolic spectacle of fame, controversy and ceaseless reinvention.