Leila Hatami

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Yassi, who has doubts about Mohsen's life in common, decides to remind her of a memorable occasion. He anticipates everything in advance for the best of the party, ignoring the fact that the circumstances do not go away on his own. The film deals with betrayal in marriage.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

Attiyeh has made a career out of giving relationship advice to couples over her radio show. Every day she answers questions about family dynamics and safeguarding marriages, while behind the scenes she and her husband struggle with a problem of their very own, one that seems practically unsolvable. All her life she has been the one to give advice, and as she tries to come to terms with a costly and dangerous medical procedure, she finds she is now the one who desperately needs it.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

The film A Shadowless Man in the Social Genre, produced in 1397 and filmed in Iran and Spain. The director of this work, Alireza Reisian, went on to make a film without shadows after the films "Forty Years" and "The Age of Love". A Shadowless Man was screened at the 37th Fajr Festival. The story of this film deals with the emotional and marital relationship of contemporary man, who has a special look at social problems these days. The film's synopsis states that filmmaker Mahan Koushiar decides to make a documentary about a serial murder, but his life is affected.

A woman embarks on an unyielding and possibly hopeless search for her missing husband, a journey that strains her already fragile relationship with her daughter. Along the way, she also faces the unwelcome advances of her persistent brother-in-law.

A person wants to hijack an airplane to go out of Iran and cure his sick son.

In an Iran weighed down by a struggling economy, two middle-aged brothers live with their bullying father. A man prone to rages and driven by chauvinism, the father’s abusiveness found his second wife leaving him. Now he picks on his eldest son, while the younger sibling fantasises about ways to kill his father. When the man rents out the flat above to a young woman, with intentions of marrying her, the woman’s attraction to the older son slowly pushes this profoundly damaged family to breaking point.

In March 2012, Iranian movie "A Separation" by Asghar Farhadi, won the Oscar Award for the Best Foreign Language Film. For the Iranian people this was more than a cinematic award. When sanctions and threats of war with Iran covered the world headlines, Farhadi talked about Iran's love for peace and the rich culture of the Iranians on the stage when receiving his award. This time the Iranians voice was heard through someone other than the government officials. This documentary shows the reaction of the Iranians to this Oscar award and has a general view on Iran's society of today.

An Iranian director and his technical crew scramble to complete post-production on their latest film in time for the Fajr Film Festival.

The movie chronicles the life of the famous painter Kamololmolk, and his relationship with various kings.

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.

Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.

Bita (Hatami), a successful lawyer specializing in championing the cause of women’s rights in divorce cases, is blind to the trouble brewing in her own marriage. A snatch of gossip and a problem client with an unwanted pregnancy unexpectedly bring Bita’s problems home. (Gene Siskel Film Center)

Taher Mohebi is a well-known writer who, after witnessing a violent murder, breaks down and spends three years in a mental institution. After release he is told that things are just as they were before, but his relentless hallucinations make him want to return to the institution.

Farhad has lost his eyesight due to an injury sustained in battle. As part of his recovery, he is transferred to a temporary hospital, where he encounters young nurse Sheida. Sheida is surprised by his tolerance to the pain of his injury, but soon realises that her recitation of Quran verses has a miraculous calming effect on him. And as the two start to grow closer and Farhad begins to heal, they find themselves on the path between faith and hope, and the true nature of both is revealed to them.

The short story of my boats, Leila Hatami and Ali Mosafa, are its main characters, regarding the fact that Aunt Jan Puri died and Farhad, who had been away from Iran for many years, returned to Iran and Remembers his memories with Mary and ...

After her divorce Mina is in need to financial and emotional supporting. She meets a guy and thinks that this is the man of her dreams. But things are not just as their first seem to be.

The story is about a lonely and weary girl whose mood is lifted by the help of her friend but the girl is not courageous enough to introduce her friend to others

The only nuptial condition an inveterate chain smoker receives from his perfume-testing fiancee is to quit smoking. This poses a problem for the advertising agency ideas man for whom smoking is all part of the creative process.

French documentary showing the making of the iranian oscar-winning film A Separation

Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

A period drama set during the "Golden Era of Freedoms" after the end of WW2 in Iran which revolves around the of an intellectual politician by the name of Mansour Adiban.