Loretta Rossi Stuart

In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader. He knows that revenge can only be attained by infiltrating Cutting's inner circle. Vallon's journey becomes a fight for personal survival and to find a place for the Irish people.

The librarian of the university Xenia schedules a S&M blind date with the masochist Ghost to satisfy her fantasies and sexual desires. They spend the night in his apartment having kinky sex and on the next morning Ghost is dead with slashed throat. Xenia cleans her evidences and leaves the place, but Ghost's friend Silver investigates the murder of Ghost and finds her files in a CD.

Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, the dead husband happened to be a member of the Italian nobility, and the trial starts to turn into more of a prosecution of the defendant's socialist politics and the activities of his father, a well known liberal social reformer, than the actual crime itself.

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

A young father and his two children struggle to find harmony after his wife leaves them for another man.

The life of singer Carmelo Zappulla is disrupted by the testimony of a repentant who accuses him of being involved in a murder. This is just the beginning of a long legal ordeal that will force Carmelo to fight to prove his innocence.

For Arturo, a forty-year-old actor, success has finally arrived: the TV series in which he plays a separated father is doing quite well. Unexpectedly, however, comes the flipside of his popularity: Mirko, a boy who recently lost his father, has replaced him in his imagination with the character of Arturo. The media is going wild, and the presence of Enrico, the actor's agent, becomes increasingly pressing.

Two middle-aged friends, a surgeon and an undertaker, enthusiastically share a passion: women. When a beautiful stripper reach the village, their lives get upside down.

An eighteen-year-old boy is released from an institute for minors with no family support, and for the first time tastes the bittersweet flavor of freedom; an imprisoned mother longs to go back and start all over again. These are the characters taken from the real world and transferred into a film that is first of all a shadowing of human beings, of their hopes and little acts of cowardice. But it is also the story of a time of waiting, of a soul going around in circles, a coming of age in a desolate and oppressive, marginal context that becomes a character in its own right.

Mario Bambea, an italian Intellectual, after a car accident begins to suffer of double personality. In the day, Mario is an intellectual while in the night, becomes a rude comedian.