Alain Chapuis

Third and final film in the Kaamelott franchise.

After reclaiming Kaamelott from Lancelot's tyrannical rule, Arthur spares his life, defying Celtic gods. Knights must prove themselves for Table Round seats while Arthur faces new threats as king.

An Algerian man's life-long dream finally comes true when he receives an invitation to take his cow Jacqueline to the Paris International Agriculture Fair.

A Mediterranean scrubland. The relentless noise of crickets. In the distance a highway and the procession of lorries travelling through the countryside at top speed. Among the green oaks and thorn bushes the construction of a leisure Centre is nearing completion. On the other side, from the building workers' prefabs can be heard the happy chaos of children shouting, families getting together and Ramadan celebrations. Moving incessantly between the two, are Fabienne, daughter of the manageress of the Centre, and Latifa, daughter of one of the workers. Fabienne and Latifa are friends, they tell each other everything, or almost... When you are 16 there are secrets that you don't share, even with your best friend. Then, there are questions which one would love to be able to answer and mysteries one would love to understand... The Centre's opening day approaches. It is the day of Fabienne's 16th birthday. But why do her mother Anne and her uncle Tom seem to be so fearful of that day?

Build. Rebuild. Grieve. Buy a green plant.

A game show set and filmed on the real Fort Boyard in France. The contestants have to complete in physical and endurance challenges to win prize money.

Kaamelott is a French comedy medieval fantasy television series created, directed, written, scored, and edited by Alexandre Astier, who also starred as the main character. The series, which originally ran for six seasons (referred to as 'books'), ran from January 3, 2005, to October 31, 2009, on M6. In this offbeat account of King Arthur's quest for the Grail, virtually every journey, battle or adventure is stopped dead in its tracks by the knights of the round table's most worldly traits: cowardice, greed, idiocy or misplaced chivalry. As a consequence, instead of epic adventures we are treated with the characters' pragmatic and anachronistic take on each and every event in the Grail legend, true to the purest sitcom tradition.

Astrid Nielsen works in the library of the judicial police. She has Asperger's syndrome. With an incredible memory, she excels at analyzing files of ongoing investigations. The district commander decides to use it to the fullest, entrusting her with very complex investigations which have remained unsolved to date.