Dietrich Siegl

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

SOKO Donau is an Austrian television series.

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

Der Fahnder is a German television krimi series which was aired between 1984 and 2005. In the Netherlands the series was broadcast by the VARA from 3 October 1985.

Schlosshotel Orth is an Austrian television series.

An Austrian magazine-TV show.

Peter Strohm is a private detective with radical methods. His work begins where police work ends; he takes on sensitive cases that require a certain scale, or explosive situations that can lead to international crises.

Die Verbrechen des Professor Capellari is a German television series.

Kaisermühlen Blues is an Austrian television series.

Stockinger is an Austrian-made police television drama, with fourteen 45-minute episodes first aired from 1996 to 1997. The series is a spin-off from the popular Austrian television drama Inspector Rex, and focuses on Ernst Stockinger, one of the original members of the Homicide division or Mordkommission in German. Stockinger leaves the series to return to Salzburg where his wife has inherited a dental practice from her late father . He is appointed a Bezirksinspektor at the Landes Gendarmerie, sharing an office with District Inspector Antonella Simoni. Unlike the members of the team in 'Rex', who appear to be self-directed and are seldom seen to answer to senior management, Stockinger reports to Dr Brunner, a philosophising burecratic senior police inspector. Stockinger is portrayed as a clumsy, almost Inspector Clouseau-like character, driving a clapped-out 1973 VW Variant, but single-minded when following up clues.

Lindenstraße is a German television show on ARD's Das Erste, one of Germany's two publicly administered TV channels. The first episode was aired on 8 December 1985 and since then new episodes have been broadcast weekly. Its current timeslot on Das Erste is Sundays at 18:50. The events of the Sunday episode usually take place on the Thursday before the show, based on the TV station's original plan of airing the episodes Thursday night. Prior of the start of the show, the timeslot was switched to Sunday evening but the Thursday remained the day the events usually take place as the show shall feature the daily life routine of the protagonists on a working day. Exceptions are the so-called holiday episodes that take place on Sunday, such as for Christmas and Easter and also on important election days. Setting the pace for other soap operas in Germany, the first episodes were met with mostly bad reviews. However, Lindenstraße soon became one of the most successful shows on German TV.

Die Neue – Eine Frau mit Kaliber is a German television series.

Stories about four generations of women – their life at home and at work, their private and political relationships with the years.

Due to the accidental death of Pichler Bauer his wife Ilse, Granny Burgi and especially the youngest daughter Anna are suddenly alone on the mountain farm. Contrary to expectations and traditions, Anna inherits the farm. A well considered decision of the father: For Anna wants to stay mountain farmer, to preserve the inheritance of her father. In contrast to her mother and her uncle. In order to receive her father's farm and to be able to cope with the heavy and exhausting work, Anna hired a Bosnian guest worker, a Muslim, as a servant. They manage to continue the successful business on the farm.

Hypochondriac Hermann Ladner is invited on a Mediterranean cruise by his late wife's brother, Heinz Wucher. However, Heinz gambles away the money for the tickets and Hermann sets off for Italy in his caravan. Heinz, meanwhile, has sneaked into the caravan and travels along as a blind passenger.

Charlotte resigns without notice when a less qualified person gets the promotion she was working for.

Tommy can't take it anymore. At home, the 14-year-old Vienna boy is the only man among many women: Sister, mom, grandma and great-grandma tugging at Tommy's nerves, also the schoolboy suffers from lovesickness. Nothing left to do but get out so Tommy travels to his father Hubert. Shortly after Tommy arrives there, grandma Lore-Mu and the rest of the clan join…

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.

Three short episodes directed by Gedeon Kovacs.

A crime comedy directed by Peter Weck. The movie follows "Geliebte Gegner" (1998).

Senator Isaak Kohler shoots and kills Professor Winter in a crowded restaurant, while Winter is dining with the struggling idealistic young lawyer, Felix Spat. Kohler puts up no defense and is sentenced to twenty years. Kohler then gets his daughter Helene to pay the reluctant Spat to reinvestigate the case, on the assumption that Kohler is innocent. The newspapers pick up on this and begin to question whether Kohler was wrongly convicted.

On December 24, in the middle of the supposedly quietest time of the year, anything is possible! And this is exactly what the episodic film "Schrille Nacht" tells in seven short stories.

Real estate speculator Albert Hahn is found dead in his cellar. He died of fermentation gas poisoning. The doctor in charge assumes it was an accident. But Polt knows that the dead man was hated in the community. He suspects that the murderer wanted to make the death look like an accident. Many of the winegrowers had a motive. After a long investigation in the wine cellars, he discovers that all the cellars are connected by holes. Polt doesn't want to leave the feeling that it was a murder. As he drinks some wine with his friends, they all confess to the crime. They had all poisoned Albert Hahn with the fermentation gas together, but only one of them wants to take all the blame, as the rest have children and wives. He commits suicide and leaves a confession behind.

When Iris learns that her husband is cheating on her with the neighbor, she moves to daughter Sandra, who lives with her boyfriend Hans. But then she falls from all clouds: Hans is by no means the study colleague or surf friend of her daughter, no, he is a 55-year-old successful writer! The new WG situation is extremely unpleasant for everyone, especially since Hans' son Tobias lives in the house and is in love with Sandra. When Hans then also takes a liking to Iris, the stories of the four sympathetic, but relationship-related rather untalented people more and more intertwined ...

Grein, a truck driver, works for Sienmann, an undesirable man, dedicated to fraud.

Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.