Miluše Bittnerová

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

In 1951, the well-known Czech actress Jiřina Štěpničková receives a letter from Austria from director František Čáp, who has recently emigrated. He invites her to the West and promises her roles in theater and film. She decides to seize the opportunity and flee. Together with a small group of people and her young son Jirka, she entrusts herself to a smuggler and embarks on a risky journey across the border. But something goes wrong. They are caught. Everything had been planned in advance. The smuggler himself is a member of the StB. But that's only the beginning.

Teacher Tomáš Majer, who joined a former special school in 2010, has disappeared. He arrived at the school several months after his sister Jana, also a teacher, was murdered. During the school year, the boys who murdered Jana Majerová mysteriously died. Tomáš Majer most likely avenged his sister in cold blood.

Family comedy about upcoming proposal.

A short film based on the book by Slovak author Pavol Zeleňák, "Keď sú tajomstvá iba služobné" (When Secrets Are Only Official). In four tragicomic short stories—banking, confessional, medical, and state secrets—the viewer learns what can happen when bank clerks, priests, doctors, and ministers reveal or abuse official secrets. Regardless of the reason for their actions, they can cause curious problems or even tragedy.

The story of František Stára, a recovering alcoholic, concertmaster, and composer. After returning from alcohol rehabilitation, he quickly realizes that his euphoric determination to start over is a tragic illusion. His wife has moved out of their apartment and found another man. A similar fiasco awaits him at his former job and later during his short stint at an elementary art school. At the most difficult moment, when František's private hopes and professional plans are collapsing and he resigns, he is selflessly helped by his former fellow patient from the clinic, Eda Mandík. This man, himself weak, inconsistent, and irresponsible, with unexpected and self-destructive devotion, gives up his own personal happiness and energetically spurs his flagging will to save his only friend. The price Eda pays for this act is not small, but his sacrifice was meaningful.