Abdul Rahman Al-Rashi

A modern classic of Arab television. A social drama set in the 1920s in Damascus- It highlights Damascene life, noble values, and ancient customs and traditions represented by the people of Harat al-Dabeh who fled to Harat al-Salihiyah after the French bombed Harat al-Dabeh. The events take place after the gold is stolen from the house of the cloth merchant Abu Ibrahim, and the guard Abu al-Samu is killed. The men of the neighborhood try to find the thief.

The story of Nassar Ibn Oraibi, a fighter against injustice, that sheds light on the life in the Damascus neighborhood and the role of one woman who becomes responsible for the house and her four daughters in light of her husband's absence during the Hajj.

The series revolves around the Arab Revolt that broke out in Syria against the Ottoman occupation that had ruled the country for four centuries.

The series follows the rupture of Andalusia into many warring states, which allowed the northern Kingdom of Castile to expand its borders and take control.

The series deals with the Al-Midan neighborhood in the year 1930 through a large family living in one house, and many issues arise among its members that appeal to viewers, and the work is not satisfied with that, but goes out to the neighborhood to notice the intertwined relations between its members, especially since Al-Midan neighborhood is one of the oldest neighborhoods of Damascus and was at that time in the heart of City.

The film follows three Palestinian refugees brought together by dispossession and hope for a better future. Hiding in the tank of a truck, the men attempt to make their way across the border into Kuwait, the "promised land."

On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.

The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.