Martha Ofelia Galindo

On Halloween night, a group of bored teens decide to steal a corpse from the local morgue and take it to a nearby cemetery where they perform a Satanic ritual, unwittingly reviving a bloodthirsty serial killer.

The love secrets of a large family are revealed during a trajinera tour on Xochimilco, culminating in a suicide attempt during a jackpot drawing.

In this sexy romantic comedy from Mexico, the life of a college professor is turned upside down when he falls for a former student, who is already pledged to marry another man.

Las aventuras de Cucuruchito y Pinocho was the second color feature film and the first fantasy film for children made in Mexico.

Gold-digger conspires with gal-pal to snag herself a rich husband.

After turning 40, César is invited to a culinary contest in Cancún, but a bitter discovery threatens to destroy his family as well as his chances to win the competition.

Non-conformist advertising executive pressured to toe the line and behave.

Two provincial spinsters host Luis, a young man who comes to work at the bank, and flirts with Maria, who believes it is the opportunity to get married, but in reality he is an adventurer who at the bank learned that she is the second single more fortune. The first is the daughter of her employer, but she is engaged.

Mexican feature film

Mi Pequeña Traviesa is a Mexican youth and family telenovela produced and directed by Pedro Damián for Televisa and originally broadcast on Canal de las Estrellas from December 8, 1997, to April 24, 1998. It is an adaptation of the Argentine telenovela Me llaman Gorrión, created by Abel Santa Cruz. The telenovela stars Michelle Vieth and Héctor Soberón. The story follows Julia González, a young woman whose dreams of pursuing a professional career are interrupted after her father is left paralyzed in an accident. To support her family, she disguises herself as a boy in order to find work. Along the way, she falls in love with Alberto Miranda, and together they must overcome social differences, family conflicts, and the many obstacles that stand in the way of their happiness.

Isabel is abandoned at the door of an orphanage a few days after birth. There she grows between the jokes of the other girls and the mistreatment of the harsh director called "Justa." One day her classmates show her a false birth certificate where it says that her father's name is Jesús García, that he is alive and resides in Mexico City, so she, with the hope of having a family, escapes from the orphanage towards Mexico City to look for her supposed father.

Jorgito is a rebellious and insolent student who doesn't mince words when it comes to making fun of his teachers. Maestra Canuta and Director Rigoberto Patiño are the butt of all his jokes and they do not hesitate to give him severe punishments when they realize that Jorgito's sharp tongue is attacking them. This comedy program shows a group of irreverent students who, through their jokes, make fun of the current political and social situation in Mexico. Nobody is saved from the ridicule and the occurrences of these kids who, behind their harmless appearance, hide sharp criticism and double meaning jokes.

Si Dios Me Quita La Vida is a telenovela made by Mexican TV network Televisa. This telenovela was broadcast in 1995. This is a remake of the 1961 telenovela La Leona starred by Amparo Rivelles and Ernesto Alonso.

Los hijos de nadie is a Mexican social drama telenovela produced by Miguel Sabido and Irene Sabido for Televisa and originally broadcast on Canal de las Estrellas from February 24 to June 20, 1997. Created by Miguel Sabido, with adaptation by Miguel Sabido, Verónica Suárez, Andrea Ordóñez, Rosa Ana Curiel, and Kary Fajer, the telenovela was supported by UNICEF to raise awareness about the situation of homeless children in Mexico. The story follows Doña Leonor, an elderly woman who loses her daughter and granddaughter in a tragic accident. Seeking to overcome her loneliness, she dedicates herself to helping a group of children living on the streets of Mexico City. Alongside Verónica, a young woman who brings hope to the children through her puppet shows, Leonor faces the challenges of poverty, abandonment, and the people who seek to exploit those most vulnerable.