Toshi Katayama

Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton would later serve as a cinematographer on Gardner’s 1981 documentary Deep Hearts, among others). Reality’s Invisible could be described as a portrait of the Carpenter Center, yet it is a portrait of an extremely idiosyncratic and distinctive sort. Fulton moves us through the concrete space of the Center’s Le Corbusier-designed building—the only structure by the architect in North America—but, more centrally, presents us footage of students making and discussing their work alongside figures like Gardner, theorist Rudolf Arnheim, artist Stan Vanderbeek, filmmaker Stan Brakhage, and graphic designer Toshi Katayama.

The first female professional baseball player who strikes out sluggers with her magical pitch... The manager who makes every effort to amend the Baseball Regulations so that she can join the pros... The separated twin brothers who couldn't have met each other if they weren't both totally absorbed in baseball... This series describes the joys and distress, the glory and frustration of those who enthusiastically love baseball.