Eduardo Rodríguez

¡Vivan los niños! is a Mexican telenovela for children that premiered in 2002. It ran for 155 episodes and finished in 2003. The opening, Vivan los niños, was recorded by the Latin pop group OV7. One of its closing themes, also entitled Vivan los niños, was performed by Cuban-American singer and songwriter Ana Cristina. The show is a version of the Argentinian telenovela "Jacinta Pichimahuida, la maestra que no se olvida". The series starred Andrea Legarreta as 2nd grade teacher Lupita Gómez. After the series ended, Andrea became the long-time host of the morning talk show Hoy. On July 12, 2012, in celebration of Andrea's birthday, the producers of Hoy reunited her with the young actors who played her students on the series.

Rebeca is a 2003 Spanish-language telenovela produced by Venevisión International. The telenovela was written by Alberto Gómez and stars Mariana Seoane and Ricardo Álamo as the main protagonists with Gaby Espino, Pablo Martin and Elluz Peraza portraying the main antagonists.

Serafín is a Mexican children's telenovela produced by José Alberto Castro for Televisa and originally broadcast on Canal de las Estrellas from August 30 to December 17, 1999. It stars Maribel Guardia, Eduardo Santamarina, Jordi Landeta, and features the voice of María Fernanda Morales as Serafín. The telenovela was the first Mexican production to incorporate digitally created animated characters into a live-action telenovela. The story follows Serafín, a cheerful but mischievous little angel who is sent to Earth to learn how to become a Guardian Angel. In Mexico City, he meets Pepe, an unhappy boy living with his mother, grandfather, and abusive stepfather. Determined to bring hope and happiness into Pepe's life, Serafín helps him and his friends overcome family conflicts, fear, and adversity while teaching lessons about love, friendship, kindness, and faith.

Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance