Monika Frajczyk

Tommy, a volatile 19-year-old, revels in drugs, parties and violence. After getting separated from his friends on a drunken bender, he is abducted by a shadowy figure. He wakes to find himself imprisoned in the basement of a remote Yorkshire house, inhabited by a very strange family. But what unfolds is not what he could possibly expect.

In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.

In 1983, communist Poland is shaken by the case of high school student Grzegorz Przemyk, who is beaten to death by police. The only witness of the beating becomes the number one enemy of the state.

On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun, and an important message for the world. The story of the attack explores a rebel’s extreme measures and last resort.

A group of young actors is summoned to a theater to bring to life a play by a renowned but reclusive playwright. What begins as an artistic endeavor quickly spirals into a chilling struggle for survival from a ruthless murderer.

When a spiteful coworker sabotages her deliveries, a courier and a helpful customer must race to return Christmas presents to their intended recipients.

The fate of three Catholic priests were linked together through tragic events a few years back. Every year, on the anniversary of the catastrophe, they gather to celebrate their survival of the tragedy. Lisowski works at a curia in a big city, building his career while dreaming of the Vatican. Standing in his way, Mordowicz, the archbishop, a luxurious church dignitary who is making use of his political connections to build the largest sanctuary in Poland. Trybus, is a parish priest and often submits to human weaknesses. Kukuła also is not doing well. Despite his passion for faith, he is losing the trust of his flock. Soon, through new tragic events, the paths of the three priests will cross again.

It’s hard to dislike Mila; at 30, she carries her insecurities close, overanalyses everything, and is much kinder to others than to herself. When her friend cancels their trip at the last minute, Mila swallows her fear and sets off alone for a pole dance camp. Among sculpted dancers, scant costumes, and sky-high platforms, she feels awkward, alien, and instantly out of place.

Marcel loves his life because no one notices him: the canary on the bus, the boss in the office, the lovers in the elevator... Unfortunately, his perfect world will turn upside down when he saves his neighbor from suicide.

A fearless soldier, Marcin Kabat, returns from war and befriends the outlaw Sarka-Farka as they journey to Devil’s Mill, where demons prey on human souls. When two maidens, Princess Disperanda and her handmaiden Kasia, fall victim to Beelzebub’s pact, Marcin and Sarka-Farka use courage and cunning to outwit the devils and save them from infernal temptation.

Tomek, a fresh banking graduate, moves to the big city to start his adult life with a bang. He dreams of spectacular success, thanks to which he will get his ex-girlfriend back. He rents a room in an old, crumbling house, inhabited by a group of eccentrics. But the very first night there makes him realize he will sooner end up in a psychiatric hospital than in his dream corporation.

After her wealthy husband leaves her with nothing, a high-society Warsaw snob is forced to use the only survival skills she has left — her sharp wit.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.