İbrahim Olam

One of Turkey's most iconic and influential dramas, Valley of the Wolves follows Polat Alemdar, an undercover agent who infiltrates Istanbul's most dangerous crime organisation after years of preparation. Combining organised crime, covert operations and sharp political commentary, the series fearlessly tackles Turkey's shadowy relationship between the state, the mafia and power — and became a cultural phenomenon that spawned multiple films and spin-offs.

Akasya Durağı is a Turkish comedy television series on Kanal D, which initially broadcast in 2008 The Story: Nuri is a very old driver and when he become retired he start his own taxi company with money that earned for all of his life. There are a few sympathetic driver and pure tea maker-office boy at the taxi company. And all of them life is very interesting and very funny. They have great time at the taxi company. Too many events do and find our drivers and their lives'. The story goes so... By the way, everyone says to Nuri 'Nuri Dad' because he is a very good man.

Gece Gündüz was a police procedural soap produced by the Altıoklar Productions, the main characters are Aslan Aydemir and Kemal. They both work at the Istanbul Organized Crime section of the police force. The series finished on its 33rd episode. The theme song is an edited version of "Gündüz Gece" by Âşık Veysel Şatıroğlu who is also named "Uzun Ince bir Yoldayım" which was a famous Turkish folk music and Veysel was the famous one for this song.

The story of the revolution attempt that aimed to abduct Murat V, who lives in the Çiragan Palace, to have Abdülhamit II overthrown.

Yusuf Yüzlü tells the story of a child whose father died after the earthquake and his search for his mother who lost his memory alone.

Forced to leave the comfort of his middle class lifestyle at his father's behest, fourteen-year-old Ahmet is sent to an all-boys religious dormitory where he must navigate familial expectations, his religious obligations, and the childhood to which he so desperately clings.

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.