Monika Lennartz

Austrian farmer Franz Jägerstätter faces the threat of execution for refusing to fight for the Nazis during World War II.

A gay man's return to his family in East Germany begins a series of tragic events.

Kasimir uses a hollow couch to infiltrate houses. Once inside, he secretly films the owners’ lives. A few days later the couch is picked up again, with Kasimir inside: “Delivery Error“. He delivers the tapes to the brain surgeon Dr. Liebermann, who is trying to learn how to feel human emotions. While Kasimir provides him with more footage of further break-ins to prove his love, the doctor, unimpressed, prepares an awake surgery in his cellar for a young musician. Broken by unre­quited love, Kasimir begins to deviate from Liebermann‘s dogma: never intervene in what happens in front of the camera. An unforgivable breach of trust for Liebermann and so he de­cides to determine Kasimir’s fate.

Kati is deaf. Florian is blind. But when they meet, a language beyond words and glances emerges—a language of closeness. Their love seems impossible to outsiders, and that is precisely why it is so overwhelming. It is not silence or darkness that stands between them, but the effort to truly understand each other—and the courage to withstand everything again and again. An intense journey full of ups and downs takes its course: two people who live and love with all their senses.

After 35 years of military service, Officer Jürgen Drost takes on the job of mayor in the small village where he lived with his mother after World War II. The transition to civilian life comes as more of a shock than he expected, causing him to rethink many aspects of his life.

Johanna (13) is in love – but how is she to enjoy this rush of emotions when her violent prone father is returning to the family home? Torn between the wish to stay true to her father and the love for her boyfriend, Johanna is faced with an impossible decision. A story about family secrets, the chains of family loyalty and the power to break free.

At the beginning of the 50s, two extremely disparate men meet in a private sanatorium for consumptives: an officer in the People's Police, Josef Heiliger; and a young Protestant curate, Hubertus Koschenz. On account of their consumption, they have to share a room. Initially, this is the only thing they have in common. The film explores Hubertus's struggle with his sexuality within the context of both the church and the socialist state.

Magdalena and Michael have loved each other since they were children. But when the Nazis come to power, Michael rebels against the regime and is sentenced to fifteen years in a concentration camp. Magdalena, meanwhile, goes underground with the help of a friend and later immigrates to the Soviet Union. Michael, who has joined the Red Army, discovers on the way to Moscow that Magdalena is staying there. But when his plane lands, she is already on her way back to Germany. Michael hopes that one day, he and Magdalena will be reunited.

Nina Kern, a divorced woman in her late twenties, will soon be fully deprived of her custody rights for her three children, who already reside in a home for the displaced due to Nina’s many years of willful neglect. Although she has broken her promise to change her moral conduct many times, she is given one last chance on probation.

While Dresden is in ruins in the immediate aftermath of the Second World War, over two thousand paintings by artists including Rembrandt, Raphael, Rubens, Giorgione, and Vermeer have disappeared from the city’s Old Masters Picture Gallery. Red Army captain Leonov and his soldiers are ordered to recover the lost paintings.

Helen, in her early 50s, really doesn't know which problem she should solve first: her husband seems to be cheating on her, the children are in terrible puberty, things aren't going well with the gardening business, and she herself is going through menopause. When her old mother also has a stroke, the otherwise calm Helen threatens to go crazy.

The Flensburg vocational school is in a crisis mood: unless a miracle happens at the open day, the gastronomy class is threatened with extinction! Principal Katharina and her teaching staff have to come up with an idea to get the necessary registrations. What could be more obvious than relying on the show talent of guest lecturer Erik? The food blogger's idea of processing a beef from head to tail promises to be a live spectacle. However, the free spirit goes it alone. Without consulting the structured director, he invites her sister, celebrity chef Antje Beringer, to be his star guest! Now Katharina, who has broken up with her, has to face an involuntary reunion.

The life of Alexander von Humboldt up to his attempt to climb the Chimborazo in 1802.

A crew from the U.S. intends to film a war drama at an abandoned sugar factory on the remote outskirts of a German city, making the nearby town, which had been a pool of stagnant water, seem to come to life. The residents are excited, each making their own little plans, until a tank pulls up in front of the mayor's house and a sudden power outage disrupts all plans.

Proud Annegret Simon is new to the retirement home. She doesn't particularly like the change of scenery. And rightly so, says Mr. Tiedgen, who would also rather live alone than be looked after. Exercise therapy and reading afternoons are the epitome of boredom for him. When the residents of the retirement home are invited on a sightseeing flight in a propeller plane, Tiedgen has an idea with which he hopes to impress the beautiful Annegret...

Ironically, the law enforcement officer of integrity Frank Koops is forced by his old colleague Simone Schmidt to take part in a bank robbery...

One night, a person is pushed in front of the S-Bahn. There is no witness, and the police assume suicide. Even Chief Inspector Claudius Zorn paid no attention to the incident. He's busy persuading Schröder to become his partner again. What neither Zorn nor Schröder suspect: The culprit is very close to her. And has a number of new victims in the sights. People who are close to the two investigators.

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

In 1950s Berlin, eleven-year-old Susanne spends her time alternately in eastern Pankow with her mother and sister and in western Zehlendorf, where her wealthy grandmother enables the piano student to attend a music school. What she sees as a well-established everyday life comes to an end when her father Emil returns traumatized from captivity as a prisoner of war and begins to reorganize the family's life.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

A medic lives with his small and strange family between the mountains and every episode he comes across a situation with not only his patients but also his family and friends.

Der Staatsanwalt hat das Wort was an East German television series.

Mord mit Aussicht is a German satirical crime comedy television series, produced by ARD, following the adventures of Sophie Haas, a detective from the city that takes a job in the fictional country village of Hengasch. Much of the humour of the series derives from the clichés of both city and provincial lives, in a similar manner to the English comedy crime series Midsomer Murders.

A family moves from hip Berlin to a semi-detached house in the idyll and gets to know their neighbors...

After the fall of the Third Reich, the small town of Tannbach is cruelly divided between East and West regimes and the town’s inhabitants suffer the consequences. A gripping historical drama exploring the devastating effects decades of conflict had on communities from the end of the Second War War to the fall of the Berlin Wall.

When war broke out in Europe in 1914, most people thought the conflict would be over by Christmas; they could not imagine how wrong they were. An attack in Sarajevo ended up becoming a snowball that swept the world: a new kind of warfare had begun, waged with techniques and means never seen before. By November 1918, ten million people had died and the political map of the planet had been redrawn.

The film is set in the 1930s in Germany. Maria Rheine and Mark Löwenthal, two young actors working in a small theater, are in love with each other. Their love affair is interrupted by Nazi racial policies; Mark is no longer allowed to perform in German theaters because he is a Jew. In order to continue acting, he joins the newly formed Jewish Theater in Berlin. Maria, who is not Jewish, faces no restrictions on her career, and she becomes a successful actress at a big theater in Munich. But her love for Mark eventually leads her to decide to sacrifice both career and security to remain close to him. She fakes a suicide, assumes a Jewish identity and, as Manja Löwenthal, joins the Jewish Theater.

Uber driver Ben uses what he learns from his passengers to piece together his place in the world.

The series begins with a story from 1717: At the court of Augustus the Strong in Dresden, the French organ virtuoso Louis Marchand was said to have passed away. Convinced of his “unique” abilities, he announced a music competition. Bach was the only competitor to enter.