Walter Lendrich

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

At the beginning of the 1960s, a German turns up on behalf of the NATO in the British village of Rocksmouth. NATO wants to establish a naval base in Rocksmouth, but first, the German envoy has to salvage an old ship wreck. In 1942, the "Princess of India" was supposed to bring children to safety in Canada but was sunk by a German submarine at departure. 58 people were killed, most of them children.

The film tells the tragic fate of railroad guard Thiel at the end of the 19th century. Thiel, who spends his days in the dull, monotonous fulfillment of his duties, has lost his gentle, quiet wife Minna. He remarries out of concern for his young son Tobias. His second wife Lene, with whom he also has a child, is superior to him in vitality and has a rough passion. He discovers that his child from his first marriage is being discriminated against and tormented by her - Thiel withdraws more and more into himself and becomes lonely. When Tobias is killed in an accident, he blames Lene, and disaster is inevitable...

Kemmel, a sculptor with a troubled nature, wonders, as he approaches his fortieth birthday, whether he has created any truly significant work.

Maria, a young student sees her brother Dieter going to prison for sedition against the state. She starts an affair with Paul, a judge who turns out to be the one who sentenced her brother, which eventually leads to a confrontation.

Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

On a forest road in the Brandenburg March, village teacher Potsch accidentally encounters the distinguished Professor Menzel, who got stuck there in his car. In the conversation that ensues, Menzel and Pötsch quickly discover that they both are great admirers of the early 19th-century writer Max von Schwedenow who was born in the area.

This East German movie was co-produced with studios in Hungary and Yugoslavia, with many interesting location shots (border checkpoint to West Berlin, the Gellert bath in Budapest, and more). The plot is about French drug dealers, who obtain heroin somewhere in the Middle East, and smuggle it in several steps to East Berlin, and from there to France (or so it appears), killing when necessary. The hero is an officer of East German customs, who with detective work, some masquerade, and occasional violent action ultimately unravels the whole network, of course with the support of the local customs departments.

Magdalena and Michael have loved each other since they were children. But when the Nazis come to power, Michael rebels against the regime and is sentenced to fifteen years in a concentration camp. Magdalena, meanwhile, goes underground with the help of a friend and later immigrates to the Soviet Union. Michael, who has joined the Red Army, discovers on the way to Moscow that Magdalena is staying there. But when his plane lands, she is already on her way back to Germany. Michael hopes that one day, he and Magdalena will be reunited.

Dr. Gerd Thiessen, an experienced veterinarian, takes up a new job at a publicly owned manor. His research colleagues are less than thrilled about his ideas and modification proposals. Thus, the pretty and confident veterinarian Sabine Ladenbach becomes his only ally and soon they fall in love with each other. When Thiessen’s wife Eva notices that her husband is growing away from her, she starts to fight for him. Eventually, Thiessen realizes that Eva is the woman of his life, both privately and professionally. At the same time, he figures out that he needs the support of his team to achieve success in his field.

Götz von Bredow's elk-leather trousers have their own special meaning: whoever wears them cannot come to any harm. Only they must not be washed. The meticulous Mrs. Brigitte cleans them anyway - but they get lost because the squire Hans-Jürgen, who is guarding them, has to save the life of Eva von Bredow, who is floating in a wash barrel. Meanwhile, Privy Councillor Lindenberg has arrived at the Bredows' house and loses a large sum of money in the game that does not belong to him. He wants to make up for the loss with a robbery. Suspicion first falls on Bredow because his trousers were involved, but Lindenberg is convicted and sentenced to death. This throws the cavalry into turmoil, as robberies are an important source of income for them. The four of them march against the Elector, who is hunting in the Köpenicker Heide. But Bredow, who has his protective trousers back, comes to his aid.

At the end of the 1950s, the production of optics in the German Democratic Republic has reached top quality and instigates interest in the West. When national demand rises strongly and at the same time the export to South America heavily decreases, the Volkspolizei - the GDR police force - starts to look into the case. Two seemingly unrelated cases are the starting point for the investigation by second lieutenant Schellenberg of the department for optics racketeering: An old woman who was arrested in the Berlin city railway for trying to smuggle a pair of binoculars to West Berlin, and a dead person in an area of allotments who was involved in obscure dealings with optical devices.

Jürgen Fohrmann works as a hauer underground. In the course of the coal crisis, his mine closes - he loses the work. In this mood, his wife's prosperity thinking gets on his nerves - his marriage threatens to break. The dismissed coal buddy applys, first becomes an auxiliary worker, but then receives a job in an automated operation of the electrical industry and believes to have socially risen through this "clean work". Fohrmann quickly realizes that wearing a "white coat" is only seemingly better than the arduous work in the pit and understands that he can no longer stay out of the work struggles of the buddies.

In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.

Factory workers Yvonne and Evchen have their nose full of married men who appeal to them again and again in their home for a short adventure. In short, they decide to profit from this state: Evchen goes to her home with the willing men and puts her in a clear situation of which the then suddenly emerging Yvonne takes a photo. Then it says: 5000 marks or your wife learns about this failed side jump. So far, so profitable! But when the two women encounter the art hehler Domski in their bar, things get out of control...

Long-haul driver Hannes picks up a young hitchhiker, Herb, who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.

Ed Martin witnesses a murder at the hotel. Although the perpetrator is caught, he had previously taken papers from the victim's bag that prove a criminal connection between politicians and gangsters. The murderer's silence is bought with his release. But as the case has stirred up too much dust, a new perpetrator has to be found: Ed Martin, who witnessed everything. Beaten half to death, he confesses to the crime, but later recants. In the meantime, he has also found friends who want to defend him. Then he is found dead in his cell. The police who hanged him claim suicide.

Karin, who is in her mid-thirties, works as registrar but has been divorced for several years. Together with her 16-year old daughter Nora, she leads a happy and independent life. Then, she finds a new partner in the mathematician Peter, but does not tell her daughter about him. When Peter proposes marriage, Karin always comes up with new excuses why such a step is still too early for her. She mainly fears that Nora would not be able to cope with another marriage of her mother. But when Peter cannot be dissuaded anymore by her excuses and finally wants to marry her, Karin comes up with a bizarre plan.

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

Early 1921: a man is on his way home. Gleb Chumalov, regimental commander, worker and Hero of the Order of the Red Banner, returns to his home town from the Civil War. The victory over the enemies of the Russian people gives him the conviction that a new, better time will dawn overnight. Gleb looks for his comrades from earlier years, but only finds people who are emaciated by their efforts. The cement works where he used to work has been plundered and abandoned. With great effort, Gleb and his comrades try to get the plant up and running again. The struggle seems to begin anew... It is the time after the victory of the “Great October Socialist Revolution“ and the time of building a new society.

In 1955, Michael Vierkant, a Jew who had emigrated during the Nazi era, returns from abroad to the Federal Republic of Germany to obtain the conviction of Korn, the former informer responsible for the murder of his sister. Korn is back in office; Michael's efforts remain unsuccessful. There is a direct confrontation between the two, and Michael shoots Korn in self-defense. He flees and is hidden by the young, reclusive artist Marie Jäger, but is then caught by the police and charged with premeditated murder. The case is taken out of the hands of the criminal investigation department by the Office for the Protection of the Constitution, which constructs an act of political revenge on behalf of the communists. Michael manages to escape from prison. Marie and her friends organize a press conference at which Michael reveals the connections. The trial is postponed.

In 1903, Jan Anskath and his half-brother Martin are living in Rajgorod at the border between Russia and Prussia – Jan on the Russian, Martin on the Prussian side. Both are occasionally smuggling stuff over the border. But while Jan acts from political conviction and is smuggling illegal writings over the border, Martin is only interested in the money. That is why he does not question his shadowy client when he sneaks out refugees into Russia. But then it becomes evident that the distinguished gentleman has robbed the refugees from all of their belongings, only to turn them over to the authorities of the Czar.

Uwe is a chemistry student and works as an excavator driver on various construction sites at weekends. One weekend, he meets the nursery nurse Gabi. As it turns out later, they owe their encounter to the daughter of the construction site brigadier Trunzer. But it doesn't stop at this one encounter and the resulting flirtation, as the two fall in love within a very short time. On another weekend, Uwe accompanies Gabi to visit her family. When construction site brigadier Trunzer returns from vacation a few days later, he first asks Uwe where he has been during his absence, to which Uwe replies: "I was in Honolulu - bet?".

In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house that she believes has a ghost.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

The film concentrates on the last days of the German navy during World War II.

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Four-part miniseries about the theologian Thomas Müntzer, who became a revolutionary and opponent of Luther during the Peasant War in 1525.

In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.