Johnny Dapolito

At age 19, a young woman is jilted at the altar. This leads to a declaration that she will swear off men forever. Now 10 years later, she suddenly decides she would like to have a child. She advertises in the newspaper for potential mates, whether by traditional methods or by sperm donors, but gets nothing but losers. However, two neighborhood men vie for her attention - her gynecologist and a professional clown.

Chrissy, compassionate friend to all, bartends her way through Grad school in New York City. When Chrissy's best friend has a big problem, Chrissy is a lifesaver. But when being the life of the party takes over Chrissy's passion for helping others, she is forced to face her own problem. WASTED NYC explores the gray areas of addiction in a city where drinking is highly accessible, acceptable, and celebrated.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.