Václav Kyzlink

As the world progresses into the industrial age, a professor studying the "nature of pure matter" is spirited away by a would-be dictator and connived into building a super-bomb, as a young reporter and a girl rescued from the sea attempt to warn him of their mutual kidnapper's intentions to dominate the world with a new and more-deadly-yet weapon.

Good-natured and garrulous, Schweik becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

Screen adaptation of Julius Fucik's story about communist fighters.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

The year is 1918. Toník returns home from the front. In Kladno, where he arrives, things are seething with discontent. The Social Democrats are in government, but nothing has changed. Socialization has not been implemented, there is hunger and food is still being skimped on. The first news about a socialist state arrives from Russia. On May 1st, the workers' Kladno manifests its loyalty to the ideals of the Great October Socialist Revolution. In December 1920, a general strike is declared in Kladno as well. The workers arm themselves, workers' councils take over the administration of the city and are also established in the surrounding villages. An armed uprising is being prepared. However, the right-wing leadership of the Social Democratic Party attacks the workers in the back. The army is sent to Kladno...

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

The movie describes proletarian life in the Czech Lands after World War I.

A mischievous grandfather likes to play spies with his friends, thereby complicating the family well-being of his daughter-in-law and the love life of his granddaughter Tereza.

A man returns to his native village in search of renewed faith and his old girlfriend. But she, now a middleaged woman, does not recognise him and he goes home, more disillusioned than ever.