Antónia Terrinha

Laços de Sangue is a Portuguese telenovela which broadcast on SIC from September 2010 to October 2011. It is a co-production between SIC and Brazilian Rede Globo. The show also broadcast in several Latin American countries, including Uruguay, Brazil, Bolivia, Ecuador, Paraguay, Peru, Dominican Republic, Costa Rica, and Nicaragua. It won the 2011 Emmy for Best Telenovela.

The stories of seven women, whose destinies intersect. Seven Lisbon couples live different moments in their relationships. Everyone has problems to solve. The challenges that each couple face are different - some more serious, others more common and predictable... and some purely selfish.

Television drama series which has been broadcast on RTP1 of Rádio e Televisão de Portugal from 2007 to 2011 and since 2019. It recounts the experiences of a middle-class family, the Lopes (Portuguese: Os Lopes), during the last years of the Estado Novo. In February 2019, RTP announced that the series, after eight years shelved, would be renewed, with the storyline moving firmly into the 1980s. The first episode of the sixth season was broadcast on 7 December 2019 with the Lopes entering 1984.

An unlikely love with a happy ending... At age 40, Miguel is at the top of his career as a plastic surgeon, having reached the fame and fortune he worked so hard for. He’s a hopeless bachelor, never committing to any real relationship. This is not just by choice, his situation is a result of never having met his parents and being raised in a children’s home. But, overnight, a simple phone call will change his life entirely, making him recall a point in his life that he’d rather forget. His best friend from the institution was just killed in a car crash along with his wife, but left written instructions behind stating that, if something should happen to him, Miguel should be given custody of his three children, 12-year-old Simão, 8-year-old Jaime and 6-year-old Beatriz. Initially, Miguel will try to dismiss himself from any responsibility but, after meeting the kids, he realizes that he has no choice but to bring them home.

Raul Vasconcelos and Helena Brito founded a partnership over 20 years ago and has over a hundred lawyers in its service. Raul has an ego as big as the world and it was that self-assuredness that made him notorious in the courtroom. Besides being an astute lawyer, he’s a hopeless playboy who with age developed the tendency to say and do whatever he feels like. His trouble is that he’s constantly abusing that privilege. Helena is a confident woman, albeit more discreet and concerned about the firm's public perception, constantly considering how her actions might negatively affect the partnership and its bottom line. Her personality led her to take over managing the firm, taking care of all bureaucratic affairs. Other lawyers stand out in the firm, as is the case of Pedro Pimentel, who just made senior partner. He’s impeccably put together and has a smile that wins over most women, but behind this agreeable façade of his there’s a person with a lust for power and fame.

The series develops around cases of homicides that occurred during the summer, at the time of the economic and social crisis that affected Portugal.

It is 1905 and Luis Bernardo Valença, a thirty-seven-year-old bachelor and owner of a small shipping company, is revelling in Lisbon's luxurious high society. But his life is turned upside down when King Dom Carlos invites him to become governor of Portugal's smallest colony, the island of São Tomé e Principe.

Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.

In mid-September 1992, journalist Guida Fontes have to go to Luanda to cover the elections in Angola. In the meantime, she had committed herself to discovering and interviewing the poet Júlio Vera. In 1988, he wrote a series of poems in which he mysteriously anticipated the fall of the USSR. Guida has only 12 days to complete the mission.

During a summer vacation, a young couple deals with an unexpected pregnancy.

This documentary shows a peculiar vision about theatre in general and O Bando in particular, on the bases of João Brites' directing the showcase of “ENSAIO SOBRE A CEGUEIRA” (essay on blindness), written by José Saramago.