Samuel Akinola

Centaurs are creatures from the Greek mythology with a head and torso of a man on the body of a horse. Supposedly, they lived in Greek forests. Some people who believe they really exist are willing to pay large sums for a meeting with them. In Hotel Centaur, located in picturesque surroundings, a group of colourful eccentrics organise a get-together. Young Greek cinema is definitely in a great shape. The story seems to engage in an intriguing dialogue with Jorgos Lanthimos’s films. It is a unique combination of a sublime from, the absurd, the sun and a social satire. The atmosphere and rhythm of the surprising script is intensified by the score composed by sound artist Dimitra Sofroniou.

Ten-year-old Niki spends the summer on a Greek island with her working mother. Realising she will soon have to bid farewell forever to her beloved hideout, she decides to finally take the dive she has always dreamed of.

A random explosion connects three stories, where strangers are trying to find some way to live on the edge of legality.

Two fishermen find a Dolphin accidentally caught in their nets. The Dolphin, on its turn, finds a fisherman drowning in the water and tries to save him. In this small village on the Mediterranean, an ancient myth unexpectedly comes to life.

A series of murders alarm the police authorities, as strange symbolisms are traced to every crime scene. The eccentric professor of criminology Dimitris Lainis is asked to shed some light on the mystery.