Pavel Yanutsh

The final part of Mikhalkov's trilogy about Divisional Commander Kotov finds him returning home during World War II having been betrayed, narrowly escaped execution for treason and nearly reduced to dust in a prison camp. Only to discover that everything has changed and he will have to fight again for his name, for his honor, and for his love.

The souls of dead young men and women are released back to Earth for a short time to find true love.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?