Ottolien Boeschoten

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Baantjer is a Dutch television programme which was broadcast by RTL 4 from 6 October 1995 until 1 December 2006 for a total of 123 episodes in 12 seasons. It stars Piet Römer as Jurriaan 'Jurre' de Cock, a police detective, and Victor Reinier as Dick Vledder, his helper. The series is based on the novels of writer A. C. Baantjer. In 1999, RTL 4 broadcast the television film Baantjer, de film: De Cock en de wraak zonder einde because of the tenth anniversary of the network.

Gooische Vrouwen is a Dutch comedy-drama series, created by Linda de Mol for her brother John de Mol's TV network Tien in 2005. However, after the show's second season, Tien went bankrupt and Gooische Vrouwen was transferred to RTL4, where it ran for three more seasons until its finale in 2009. After its 42-episode run the show was followed by a theatrically released feature film in 2011. The show chronicles the everyday lives of four female friends living in het Gooi. Gooische Vrouwen has since been sold to Germany, Belgium, France and Serbia.

A manless world, a nuclear missile on Amsterdam, a collective brainwash, and suffering as a recipe for success. Six filmmakers drag the viewer into their most terrifying fantasies.

Six friends go to party for a week during the "Sneekweek". But they are haunted by a secret from their past.

The new academic year for student corps H.S.C. Mercurius with a huge enrollment party. Perpetual student Olivier de Ruyter gets into a minor conflict with the police, who are fed up with the nuisance Mercurius is causing in the neighborhood. Meanwhile, lawyer Bram Wagtmans is nostalgic for student life and decides to go all out with his friends at the club that evening, for the last time. First-year students and best friends Elias and Lieve also attend the party. Lieve is the ideal sorority girl, while Elias is only at the party because he is in love with Lieve. These are the ingredients for an evening that will get completely out of hand.

A woman of Turkish origin just moved in a town in a village in Twente, a region in eastern Holland. The woman decides to meet her neighbor and brings a plate of selfmade Baklava. When the neighbor answers the door, a Babel-like confusion occurs.

In Raging of the whole world are the turbulent early years of Alexander Goudveyl central. The story of Alexander's childhood is also the history of an era, the fifties and sixties, and a never solved murder case. Murder goes back to an authentic incident: in 1956, right before Christmas, a policeman was shot in broad daylight in Maassluis during a large-scale evangelistic campaign. The film also plays a failed escape attempt with a herring trawler involved in the turbulent days of May 1940.

Eveline is making a video report about the squat in Amsterdam where she lives. If the municipality wants to buy the building and rent it out to the residents at a significantly higher rent, this will have consequences for their relationships with each other.

After seven months of pregnancy a husband and wife learn that their unborn child won't survive for long.

Making Waves is the story of Cella (Jacqueline Blom) and her 71-year-old mother Johanna (Kitty Courbois). Life smiles upon Cella. Happily divorced, having two children and a successful job as a presenter at a local station, for which she interviews people every morning who take the ferry across the IJ river. In her enthusiasm, Cella resembles her mother, once a celebrated violinist, but the similarity also causes friction between the two women. Just when Cella meets a new love, her father's sudden death puts her life on a different track. Johanna increasingly muddles past and present and brings back fragments of memories that point to a painful secret she carries on her back. Cella tries to dig up the truth.

Coco has no idea what to do with her life until she discovers her mother is terminally ill. She wholeheartedly embraces this new purpose in life and moves in with her mother to take care of her, ignoring their distant relationship, as well as her mother's desire to die alone.