Will van Kralingen

Ludovic, a 12-year-old boy from a well-off home who is neglected by his parents, who are part of the art scene, falls head over heels in love with Sofie, the daughter of a piano teacher, when he has to pass a test of courage in the schoolyard during recess. The cheeky girl with the two pigtails likes the boy who is interested in her. They soon get closer and meet in secret places in the city. It is the first love for both of them. Shortly after Sofie's father catches the two lovers in bed together in Sofie's room, Ludovic is sentaway from Brussels to spend time with his grandparents. But Sofie can't stand it without Ludovic and runs away from home to be with him. The lovers hide in abandoned buildings on the Belgian coast. While parents and police search for the couple, both youngsters find that it is pretty hard to beon their own, especially since an ominous photographer is lurking around the children.

How reliable are memories? Liefje explores the boundary between reality and fantasy. In a therapeutic session, the 18-year-old Esther reconstructs the murder of her father that she committed with her boyfriend Erik. Flashbacks reveal the facts of the matter. The schoolgirl grows up between quarrelling parents, opposes her mother's uninhibited sexual education and despises her father Robert after he has fathered a twin with his new wife, who is much younger. She tells Erik about a vague memory of her father, allegedly abusing her sexually. Notwithstanding the difference between the gaps in Esther's memory and the facts, the outraged Erik offers her to be her avenger.

When his wife Lydia commits suicide, succesful attorney Robert Havinck is freed from his unhappy marriage. Unfortunately, it turns out she took a complete stranger along with her, and a feeling of guilt and curiosity about her motives lead Havinck to team up with his fifteen-year old daughter to explore Lydia's final days.

A biography of Isabelle de Charrière and her friendship with Benjamin Constant.

Somewhere in the near future, exists The Arena. Here men with an 'agression gene' with which they want to live no longer, are being admitted to fulfil their wish to die. Through fights to the death, televised by the commercial sportschannel, lives are being ended before one's time. Temmink, one of the gladiators, wins his first fight, finds a friend in a colleague and falls in love with one of the prostitutes. He becomes a national hero and loses his will to die. But, once admitted to the The Arena, there is no return...

The actor Lucas Bron performs the play King Lear by William Shakespeare for the pupils of his son Patja. After the show, Patja has already got home when he is warned that his father's house is on fire. He rushes to the fateful spot. The fire brigade has already arrived and is unable to say whether his father is still in the house. Patja desperately runs into the burning house and finds his father unconscious on the kitchen floor. But Lucas' spirit is in the theatre. In a magic train of thought, just before he dies, Lucas directs and acts, assisted by his son, high points and low from his eventful life in the theatre, but also outside. Theatre and reality become intertwined. It slowly becomes clear that Lucas still has something to tell his son.

Old entertainer gets a last chance to play a serious role.

Bernhard's decision to undergo euthanasia has a profound effect on his loved ones. On their last evening together, they sing, laugh, and cry. However, doubts and dilemmas prevail, accompanied by the painful realization that Bernhard will no longer be with them the following morning at 9 o'clock.

A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.

A group of friends in their early twenties re-consider their boring lives in a sleepy fishing village in the Netherlands.

Registration of the 1987 perfomance by the Dutch theatregroup De Appel of the tragedy 'Faëton Of Reuckeloze Stoutheit' by the poet and playwright Joost van den Vondel from 1663. The story is taken from Ovid's Metamorphoses and begins begins with the Sun God Phoebus who fathered four children with Clymene. When the children grow up, they go with their mother in search of father, but they wonder whether he really exists. When Phoebus hears this, he promises to fulfill every wish of his children. His son Faëton takes advantage of this and wants to spend a day in the solar chariot through the universe. That causes a lot of problems on earth, since Faëton's recklessness almost causes extinction.

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Stubbe – Von Fall zu Fall is a German crime detective television series starring Wolfgang Stumph as detective Stubbe. It is being broadcast on ZDF, the second German public television channel since 1995.

Baantjer is a Dutch television programme which was broadcast by RTL 4 from 6 October 1995 until 1 December 2006 for a total of 123 episodes in 12 seasons. It stars Piet Römer as Jurriaan 'Jurre' de Cock, a police detective, and Victor Reinier as Dick Vledder, his helper. The series is based on the novels of writer A. C. Baantjer. In 1999, RTL 4 broadcast the television film Baantjer, de film: De Cock en de wraak zonder einde because of the tenth anniversary of the network.

Two young women at the end of a long, bitter war. Two soldiers who left distant Canada to liberate Europe. The summer of '45 brings them all together—a few hours, a few days that will determine the rest of their lives. Anna from Zeeland falls in love with Canadian soldier Jim, and he with her. But the maelstrom of events gives their love little chance. Maria from Breda experiences liberation as an unreal intoxication. A brief moment of naive infatuation throws her life completely off balance. Maria gives birth to a child under appalling conditions, in a home for unmarried mothers. She is forced to give up the child.