Tamás Ördög

Pragma is a mother-daughter story set in the course of a day, in which the repressed tension between Juli and Lili and the lack of real, attentive love that the girl would need from her mother is symbolised by the daughter's inability to eat her mother's cooking without being sick at their own birthday lunch. A drama with some absurd. At the core of the dysfunctional relationship dynamics is none other than the grandmother, who raised the mother in a very oppressive way, with difficulty expressing unconditional love.

In the endgame of WWII a few hundred bank employees and their family members rescued Hungary's entire gold reserves on a train from the Soviet army and were hiding it in a small Austrian village until the end of the war.

One woman, one man, one car.

Anikó Kárpáti is 61, and this is her last day in Budapest. She hopes for a better life with her daughter's family abroad, but first she must close everything that still connects her to Hungary. Anikó begins a mad dash through the city, but at the end of this frantic day she must face what is ahead of her – and the things she will leave behind.

Hilda is forced to follow helplessly the tragic death of her mountaineer husband Zsolt Eröss. As the heir of the deceased Hilda tries to cope with public expectations with her husband's attitude. It takes time for her to admit, that she needs help in dealing with the tragedy.

A theater director tries to put on a play with real underprivileged Roma people about their lives but, feeling advantage of, the actors leave the troupe to gain a new consciousness.

Behind the Iron Curtain, Geri leaves for college, looks forward to meeting girls and partying and joins a group of radicals led by the charismatic Száva. But Geri has a secret. He’s an informant of the totalitarian state and to save his brother, he’s been forced to spy on his new friends for State Security.