Ana Kupfer

In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other. She plans to get to the United States and dreams about being a great singer; he commits all the required atrocities to be accepted by the gang: la Mara Salvatrucha. Sabina and Jovany crashed with the most adverse conditions at the border like white slavery, the Mexican and American migratory agents Burrona and Patrick, the brothel matron Doña Lita, Don Nico the Mexican Consul in Tecún Umán, the drug trafficking networks, the army and la Mara Salvatrucha.

Salvador is willing to do absolutely anything. Even mutilate, physically and emotionally, in order to retain the woman he is in love with.

Ariela, a traditional Jew, meets Ivan, a young man who is not Jewish with whom she begins a secret relationship despite her family beliefs.

Manuel is preparing his next show, a musical about making a musical show. He seeks the help of Sara his ex-wife and renowned choreographer to direct. In the casting, the young Ines will appear as a rising star while dealing with her father and local mob. During the rehearsals, the passion and tension will grow among the dancers. Powerful Mexican music sets the tone and a play will emerge in which tragedy, fiction and reality intertwine.

Frank rents rooms in Nadine’s building to commit crimes. During the latest one, things take a turn for the worse when a guy he killed a couple of days before, disappears.

After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.