Álvaro Roig

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Follows police officer Francisco "Paco" Miranda and his men through funny cases.

Pedro, Luis, Raúl and Santi are four friends who feel a bit lost in the new world of empowered women, each trying to adjust in their own haphazard way.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940s. Despite of their innocence, the thirteen were soon executed without even a trace of evidence of any wrong doing.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.

Marcos and Mateo have been friends since they were children. The two have grown up together until the construction of a highway splits their town in two. Marcos ends up on one side, while Mateo is on the other. And that highway is not the only one that tries to separate them.