Patricia Mort

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

This documentary series uses drama and commentary to shed light on the lives and works of Joseph Conrad, Fyodor Dostoyevsky, T. S. Eliot, Henrik Ibsen, James Joyce, Franz Kafka, Thomas Mann, Luigi Pirandello, Marcel Proust and Virginia Woolf.

Each self-contained episode features a different kind of horror, varying from witches, werewolves, ghosts, devil worship and voodoo, but also includes non-supernatural themes such as cannibalism, confinement and serial killers.

An anthology of single plays offering up adaptations of either of prominent stage plays or novels.

Out of This World is a British science fiction anthology television series made by ABC Television and broadcast in 1962. A spin-off from the popular anthology series Armchair Theatre, each episode is introduced by actor Boris Karloff. Many episodes are adaptations of stories by sci-fi writers including Isaac Asimov, Philip K. Dick and Clifford D. Simak. The series is generally seen as a precursor to the BBC science fiction anthology Out of the Unknown.

The Human Jungle is a British TV series about a psychiatrist, made for ABC Television by the small production company Independent Artists for transmission on ITV. Starring Herbert Lom, it ran for two series which were first transmitted during 1963 and 1965.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

How Green Was My Valley is a six-part television miniseries adapted by Elaine Morgan, based on Richard Llewellyn's eponymous 1939 novel. The serial is produced by the BBC and 20th Century Fox Television for BBC Two—the latter's involvement is due to their ownership of the rights to the novel and its subsequent Oscar-winning 1941 film. Huw Morgan, the academically inclined youngest son in a proud family of Welsh coal miners, witnesses the tumultuous events of his young life during a period of rapid social change. At the dawn of the 20th-century, a miners' strike divides the Morgans: the sons demand improvements, and the father doesn't want to rock the boat.

An anthology of self-contained plays focused on the personal experiences of characters who find themselves taking a break from their normal lives—such as going on holiday, taking a retreat, or travelling.

That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.

A gang of jewel thieves rob a house which has just become empty following the recent death of it's rich lady owner. The robbery is not a complete success and one of the gang hides the jewels in the house as he's about to be captured. Later the house is put up for sale and events lead the estate agent to conclude that the jewels may still be there.

A wealthy business man fires one of his employees and becomes the victim of murder attempt. The fired man becomes the prime suspect, but it appears that he himself has been murdered.

In The Vortex, Coward explores the darker side of the cocktail party set. Emotional blackmail, drug abuse and shattered relationships are minutely observed in this disturbing, early piece from a playwright whose sharp eye was usually more turned towards the light.