Samuel de Assis

The story begins with the ambiguous relationship between friends Viola and Luma, who seem predestined to literally enter each other's lives. Born on the same day, in very different situations, they meet years later, united by coincidences that go beyond their birthday. From humble origins, Viola moves with her boyfriend Mavi to Angra dos Reis, where Luma lives a luxurious life and dates Rudá, who ends up meeting Viola by chance. Thus begins the duo's journey, which goes from a passion for recipes to an obsession with the same man, from the immediate connection to the point of starting to live their friend’s reality, 10 years later. A journey divided between complicity and rivalry, which includes them in a love quadrangle and is impacted by a series of circumstances, twists and surprises, such as the secret surrounding a murder.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

Sol is a hardworking woman who has the chance to work as a backing vocalist for a funk singer and return to dancing, as she did in her youth. Torn between family pressure and passion for the stage, she must face the judgment of her church's members and conflicts with her family. The new chance will make her reconnect with her past in many ways, leading her to find her great youth love.

Stone Circle takes place in São Paulo in 1958, and tells the story of a love triangle between Natércio (Daniel Dantas), Laura (Ana Paula Arósio) and Daniel (Marcello Antony). Laura is married to Natércio and has two daughters with him: Bruna (Anna Sophia Folch) and Otávia (Ariela Massotti). Emotionally unstable, sensitive, fragile and delicate, she has frequent crises and is treated by Dr. Daniel, because who ends up falling in love. This leads to jealousy in the husband, who, despite loving his wife very much, is controlling and ambitious. Laura has a daughter with doctor Daniel, Virginia (Tammy Di Calafiori), who is raised by her mother with the lawyer. The Silva Prado mansion, where Natércio and Laura live, is located in the upper-middle-class Jardim Europa neighborhood and is looked after by the housekeeper Frau Herta (Ana Beatriz Nogueira), who is secretly in love with her boss and tries to destroy everything she does well. to Laura.

In a future where the elite inhabit an island paradise far from the crowded slums, you get one chance to join the 3% saved from squalor.

An environmental police officer uncovers a hidden world of mythological entities from Brazilian folklore when he finds a connection between the mysterious appearance of a dead river dolphin on a Rio de Janeiro beach and the death of his beloved wife.

In this coming- of-age series, five friends are reunited after six years without seeing each other. They are entering adulthood and dealing with conflicts of different natures, but common to a generation that is skeptical about the future, relationships and people. Amid reflection on the choices and the destiny they have decided upon for their lives, together they feel stronger to face what is to come.

Three friends leading a nonprofit organisation investigate environmental crimes in the Amazon involving a major mining company.

A personal tragedy causes young forensics investigator Paula to have a breakdown, which results in her admittance to a psychiatric hospital. There, she is pulled into the darkest and most terrifying corners of her mind by a mysterious doctor.

A young singer moves to Goiânia chasing the dream of becoming a star, only to discover in the capital of sertanejo music, that her entire life has been a lie.

A masked vigilante appears to attack the impunity that allows politicians and contractors to enrich themselves at the expense of the misery and work of the Brazilian population. The story of the man behind the Awakener's guise involves a personal journey of revenge in which a traumatized agent decides to take the law into his own hands.

Siblings Ana, Sofia and Beto try to outrun conventional relationships, like their parents' 30-year-long marriage, which has just come to an abrupt end.

In a school on the outskirts of São Paulo, social worker Sônia needs to remove nine-year-old Kairo from the classroom to have a difficult conversation.

Surrounded by a lazy husband, a pedantic stepson, a sexist boss, a self-centered friend, and a neighbor who ruins her sleep with frequent parties, Bia must exert enormous energy to maintain control. But the arrival of a young influencer who takes a higher position than her at the magazine where she works is the final straw. On the verge of a breakdown, Bia ends up being treated by Deusa Xana in a kind of esoteric session. As a result, she frees herself from all filters and begins to practice zero tolerance for all the absurdities that affect her daily life.

Authorized biopic of Brazilian evangelical bishop Edir Macedo, founder of the Universal Church of the Kingdom of God and owner of Record TV network. Based on a book trilogy of the same name, the movie tells the story of the self-made man who faced several moments of turbulence while pursuing his conviction.

Miguel is a federal agent, highly trained and skilled in weapons. After experiencing trauma in his personal life, he sets out on a journey of revenge, assuming the identity of a masked vigilante. The Awakener decides to do justice with his own hands by exterminating corrupt politicians.

A biography of spiritual medium and author Francisco Candido Xavier.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

Three siblings devise a plan to get their divorced parents to spend Christmas together.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.