Mohana Uchôa

Rejane returns to her hometown, Paraíso, in search of answers to her brother's murder.

After taking the wrong bus, the repressed Pedro gets lost in the city and has his cell phone stolen. The course of his day changes when he meets another guy. Into the night, he experiences new sensations and discovers more about himself.

A modern and independent girl, but when it comes to love, the only novels in her life are those from Jane Austen's literary universe. After using a borrowed cell phone, something mysterious happens and she is transported to a different world, which resembles the 19th century. Sofia is taken in by the family of the charming Ian Clarke, while desperately trying to find a way to return to her life. What she didn't know is that her heart had other plans.

The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.

In the heart of the Brazilian backlands, Agreste tells the story of Etevaldo, a nomadic and reserved rural worker who carries a dark secret. When he meets Maria, a free-spirited young woman promised in marriage to an influential man from the neighborhood, the two fall deeply in love. Forced to flee due to the imminent wedding and the threats they face, they are taken in by Valda, a religious woman who sees Maria as her own daughter. While they try to find refuge, the arrival of Ribamar, the local sheriff's nephew, intensifies the tension. He is investigating an alleged theft, and his investigations begin to reveal Etevaldo's past, which fuels the hatred of the local community. Amid chaos, love and the struggle for survival challenge Etevaldo and Maria, testing secrets, betrayals, and a growing pressure from a society that does not accept their union.

A paradise for the eyes, the phrase defines the character's destination place, A Terra Sem Males. After walking through forests and ruins, she realizes that that territory was built on the blood of many peoples. This knowledge could paralyze her, create fear, but they inspire acts of courage.

No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.

In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.

Maria de Déa, Lampião's companion and first woman in the Cangaço, is a fearless young woman who dares to have a voice in a group of outlaws. In a life of escapes and armed disputes, Maria faces a pregnancy and is subdued to the harshest law of the Cangaço: handing over her baby to be raised by someone else. She begins to live between life in the group and the hopeless desire to raise her daughter.