Margot Campbell

At a Montreal railway station, passengers are stranded because of a snowstorm. One of the stranded, Pierre-Paul, discovers a young schoolgirl on the brink of suicide. While he searches for someone to intervene, Chili, the young girl, disappears, only to reappear of her own accord after Pierre-Paul's fruitless search. This brief encounter leads to flashback revelations and interaction among the supporting characters also stranded in the storm.

A day in the life of two Québec families reunited for their children's wedding.

A bittersweet tale about a small group of men and women whose forest adventures trigger memories of childhood and past loves. A harsh fantasy, wherein it is hard to tell whether the characters are living in their dreams, or dreaming away their lives.

An atmospheric mood piece photographed in the winter at the giant dam built by Hydro Quebec in the northern wilds of the province. The story concerns a worker's wife, who is bored with her dreary existence in the wilderness. She walks around in the snow recalling how she met her husband, then goes to the landing field to catch a departing plane. But she remains when her husband tells her how much his work means to him. This moving and very humanistic tale represents the NFB at its best.

Dans un petit village de France près de Reims, Jean Rivière, un journaliste canadien, descend dans le seul hôtel de l'endroit. Ce soir-là on vient de découvrir, dans sa boutique, baignant dans son sang, la mercière assassinée In a small village in the French countryside, a traveling canadian journalist finds the hostess of the small hotel dead, victim of murder, and begins investigating along with a local magistrate.

Coming from the countryside to visit a friend, Solange 75, rediscovers Montreal. She talks to everyone with confidence and does some portraits of the people she meets. She meets Tom, a younger, moody and disillusioned man. Fictional scenes are interwoven with documentary scenes: portraits of Montrealers and snatches of conversations taken from life.

In the 1950s, young boys were placed in orphanages and endure harsh and austere living conditions. As a united group, they supported each other and survived despite bullying, hardship and little hope for better days. While these children were doing their best to survive, they had no way to suspect the secret dealings between the clergy, the medical profession and the government that will inevitably seal their fates. The institution faced with a precarious financial situation, the solution is to transform the orphanage into a psychiatric institute in order to obtain additional subsidies. To demonstrate the need for this change in status, the orphans are labeled as insane by the very people who took them in to help them. While their future as orphans was already precarious, they become prisoners of an asylum system from which they have little hope of being able to free themselves even as they grow older.