Zdeněk Procházka

In 1965, the experienced director Jaroslav Mach made a documentary film with staged scenes, which dealt with the current problems of popular Czech sport. Behind the scenes of football, the playmakers looked through slavoje's team, which is preparing for the decisive match. If Coach Ram doesn't force his boys to perform convincingly, they're in danger of relegation to league two. After a series of dramatic peripeteias, Slavoj takes the field so weakened that he is caught up in the dreaded failure. Fortunately, the club's fans will eventually take their anger out on the loss of "their" team to an innocent referee. The film also features criticism of officials... In addition to actors Martin Růžek and Bohumil Šmída, Machov's film appeared real footballers Dukla and period sports stars (e.g. František Plánička).

Ten-year-old Martin attends religion at school and is always an altar boy at church. That's the wish of his mother Anci, a bigoted believer. However, Martin encounters hypocrisy at every turn and begins to doubt that God exists. His older brother Eda steals money from his father with impunity, his father steals materials from the cooperative building, and even Martin's best friend Kovajs "sins" without scruples. Pastor Hornof tries in various ways to maintain his influence over his sheep, but is hindered by people with a "progressive" socialist mindset. When Martin's beloved Angora rabbits, who have done nothing wrong to anyone, die, the boy's faith is clear. He decides to join a pioneer organisation. All that's left is to keep it a secret from his mother...

At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

A detective story revolving around an ancient treasure from the ninth century, believed to have been destroyed during World War II, takes place in an archaeological environment. Its main character is, alongside Captain Exner, who is investigating a strange murder committed on the premises of a scientific institute, a young student at the Academy of Sciences and Arts of the Slovak Republic, Kamila Housková, who discovers that the treasure was not destroyed, but most likely stolen. The bright girl continues her search for the treasure against Captain Exner's will and leads the investigators to a trail that proves the connection between the lost treasure and the murdered woman...

The rude and bitter mining engineer Štěrba strongly opposes the proposal of his colleague Ing. Vochoče to reopen mining in the old mine. Vochoč's plan is precisely prepared and could solve many problems. However, Štěrba does not want to explain anything to anyone, he does not want to talk to anyone, his only refuge is the pub and his only friend is a glass of alcohol. He has resigned himself to a relationship with his wife. No one knows that he has very good reasons to prevent Vochoč and the others from taking their meritorious initiative...

An anthology in three jazz-infused tales: an idealistic student’s romance with a pragmatic trumpeter; a vibraphonist’s urgent journey ending in tragedy; and drummer Honza’s moral dilemma as he confronts how far he’ll go to obtain his dream kit.

At the end of May 1918, released prisoners return to the Rumburk garrison from Russian captivity, hoping that the war is over for them. The only thing they want is to get their withheld ...

The family is connected with Prague's "Kolbenka", the ČKD locomotive factory. Grandfather Antonín, already retired, son Rudolf, a master in the locomotive assembly section and grandson Antonín, a promising football player. The film also tells the story of Rudolf's daughter Vera - each generation has its own ideas about life and cannot identify with the others. The film is linked by retrospective sequences from the lives of Antonín the Elder and Rudolf, especially from the war years. It is a realistic take on working-class life, unencumbered by ideology (despite the opening dedication), featuring well-known and time-tested actors in mainly male roles.

It is almost twenty years after the war. Wounds of the past that have never fully healed, but are still carried by many in their hearts. Marie Vláčilová, a survivor of one of the prison camps in Germany, also carries the traumas of the time with her. Now, so many years later, a mass grave of prisoners from that camp has been found and investigators visit Marie to get any information they can from her about the camp. With her important information, she is then to become a crown witness for the prosecution in Germany and now prepares to travel. But this brings back more and more unpleasant memories - especially of her daughter Paula, who has been through German re-education and hardly knew her mother after the reunion...

Office worker Věra has a big day ahead of her, full of preparations, as her wedding to her boyfriend Zdeněk is coming up. During this time, she has had time to think since morning, and even a small action, a look at a photo or a specific word, can revive memories of what preceded this day in her mind. Immersed in herself, she returns to her relationship with Zdeněk, reflects on her family and her colleagues from the tractor factory where she met Zdeněk. However, these fragments do not evoke a feeling of happiness in her, but rather doubts and bitterness. However, she still hopes that today is the beginning of a new life for her, that everything that was said by her beloved and others will pass away today.