Aleta Morrison

Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox -- and obliterate the world's economy.

Heironymus Merkin is an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers and aged mother. Merkin's promiscuous relationships with women are explored, particularly Polyester Poontang and the adolescent Mercy Humppe. Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth, and an angelic 'Presence' who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director, two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.

"If I had the money, I'd buy me a banjo!" says struggling sales clerk Arthur Kipps. Soon he'll inherit enough to buy a whole bloomin' orchestra. But can his newfound wealth buy happiness?

Stoker Charlie (the diminutive Drake) helps 150 Wrens under Superintendent Maxine Audley, who've hijacked a frigate, HMS 'Huntress', to prove they're the equal of their male counterparts.

An aide at the American Embassy in London finds himself involved with both Scotland Yard and the French police over the kidnapping of the son of a Mafia boss who has spilled the beans back in the States.

Story Parade specialized in adaptations of modern novels. It was broadcast on June 5, 1964 and repeated on August 28, 1964. The teleplay was by Terry Nation (who invented "Blake's 7" and the Daleks in Dr. Who), and Elijah Baley was played by the late Peter Cushing. It also starred John Carson John Carson as R. Daneel Olivaw and Kenneth J. Warren. The master tapes of the program were erased, however a few clips from the production have turned up in various documentaries about Isaac Asimov's work.

An anthology of 1920s set plays and musicals, transmissioned from 10 September to 10 December 1968 on BBC One.