Matteo Olivetti

In the untamed beauty of the island owned by an extraordinarily wealthy Marquis, Elena's arrival marks the beginning of a passionate love affair. Complicity and transgression, sex and power, in a film inspired by 1960s Italian true crime, where erotic play unfolds into obsession.

After a painful journey through Europe, Aleksei, a Belarusian, joins the Foreign Legion in France and clings to a confused hope of a European identity. Jomo, a Nigerian, fights for the survival and durability of his people in the Niger Delta and is ready to die to defend his ideas. These two young people who are sacrificed and smashed together will, against all odds, meet and their destinies will merge to continue across borders, bodies, life and death...

Mirko and Manolo are best friends and live in the suburbs of Rome. They both live in poor conditions with their single parents, are still in school and struggle with occasional odd jobs to make ends meet. Together they share dreams of women, of sex and money, of a better life to come. Then, after killing a man in a hit-and-run one night, they get involved with the local mafia and their lives change dramatically.

Rachele laughs at the stranger with whom she chats online. And she leads us to discover the only feeling she knows – the poisonous bond which unites her parents. In public they seem tenderly in love, but behind closed doors, it’s all possession, fear, submission and pain. Rachele wants to be different, but can she really be so, when the only form of love she knows is violence?

The story, set in a rural place, tells in a comic way the difference between the slow pace of the province and the frenetic pace of the capital.

A lone robber riding a maxi scooter, each time looking different, robs one bank and jewelry store after another, always managing to slip away through the streets of Rome. To solve the case, Commissioner Murena asks for help from a friend in Paris, known as the Frenchman, a former commissioner with a keen instinct. The solution will be surprising.

Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.

Bruno, 13, is in a panic: he has discovered that his love is reciprocated by Flavia, but he has no idea how to start a relationship. He needs someone to teach him and, coincidentally Luca, whom he despises, is the only man who has managed to make his stonehearted mother Claudia fall in love. Bruno will be forced to put aside any contrast and follow the advice of his worst enemy. What Bruno doesn’t know is that Luca and his mother live a very fragile, undermined, not at all exemplary relationship.

In 1986, Rita Levi-Montalcini receives the Nobel Prize, but something is missing. After meeting a young violinist, the scientist faces a difficult choice: take refuge in fame or get back in the game.

This is the story of a broken family, of egotistic and manipulative parents, a two-headed monster that devours every hope of freedom on the part of the children. Desirè is the only one who can save her brother Claudio and will go on fighting against everything and everyone in the name of the only love she knows, in pursuit of a bit of happiness.

The father is a complete stranger and the mother an alcoholic unable to raise a child. For this reason, Christian is forced to fill the role of parent for his younger brother Giulio. He wants to make sure Giulio goes to school every morning. Unfortunately, he also has to go to work at the same time. Thus the ordinary becomes extraordinary for the two brothers.

Boris is an Italian television series created by Luca Manzi and Carlo Mazzotta, initially produced from 2007 to 2010, with a revival season premiered in 2022. The show brings to the stage the behind the scenes of a television set where a troupe is shooting Gli occhi del cuore 2 (The eyes of the heart 2), a satirical portrait of the many fictions airing on the Italian TV networks.

Deputy commissioner Giovanni Buonvino is transferred to command the Villa Borghese police station. While the assignment initially seems like a joke, he soon discovers that the park is a microcosm rich in secrets, crimes, and mysteries.