Maureen Toal

An impressionistic look at Irish emigrants in London, representing the emigrant's journey, a confusion of anticipation, memories and experience.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty, and politics. However, his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

In this melodrama from Barbara Cartland's 1975 bestseller, a turn-of-the-century American heiress, while en route to her betrothal to an English duke, encounters love and intrigue in the arms of a French journalist.

A petty crook finds himself mistaken for a murderer and a secret agent.

A British policeman finds romance and danger when he infiltrates a gang of jewel thieves.

At Dublin Airport it's ten minutes to take-off, and Josie is determined to go to London. Her departure is delayed and this gives her irate husband and a nervous priest time to try to make her change her mind.

The life of James Ignatius Rooney, a Dublin rubbish collector during the week and a Gaelic sportsman at the weekends.

Sir Robert Clarke looks back on his life and the summer when as a 16-year-old he first fell in love with Louise St. Leger.

An Irish lover tries to juggle varied sexual encounters with uninspired home life in ordinary comedy-drama.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

The Ronnie Barker Playhouse is a British anthology of six half-hour comedies showcasing the talents of Ronnie Barker. All were broadcast by Associated-Rediffusion from 3 April to 8 May 1968. Of the six, two are lost.